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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    686 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    267 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 232 matching records exist across the two collections.

Results for "Augsburg Medal (obverse)"12 records

Institutions answered newest-first by record, interleaved

Medal:  Leonello d'Este by Pisanello (Antonio Pisano), The Metropolitan Museum of Art

Medal: Leonello d'Este

Pisanello (Antonio Pisano) (d. 1455)

ca. 1441–44 (possibly cast 16th century) · Yellowish copper alloy with dark brown patina.

Cleared · Public Domain

live
The MetSimilar
Augsburg Medal (obverse) by Thiebaud, The Cleveland Museum of Art

Augsburg Medal (obverse)

Thiebaud

1742 · Metalwork, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Medal:  Sixtus IV by Lysippus the Younger, The Metropolitan Museum of Art

Medal: Sixtus IV

Lysippus the Younger

1471 · Silver

Cleared · Public Domain

live
The MetSimilar
Portrait medal of Niccolò Michiel (obverse); Alidea Contarini (reverse) by Fra Antonio da Brescia, The Metropolitan Museum of Art

Portrait medal of Niccolò Michiel (obverse); Alidea Contarini (reverse)

Fra Antonio da Brescia (d. 1525)

ca. 1500 · Gilt bronze

Cleared · Public Domain

live
The MetSimilar
Portrait medal of Scaramuccia Trivulzio (obverse); Prudence (reverse) by an unrecorded maker, The Metropolitan Museum of Art

Portrait medal of Scaramuccia Trivulzio (obverse); Prudence (reverse)

Unrecorded maker

ca. 1517 (before 1527; old cast) · Bronze (copper alloy with a honeycolored patina.)

Cleared · Public Domain

live
The MetSimilar
Medal of Kolman Helmschmid (1471–1532) by Hans Kels the Younger, The Metropolitan Museum of Art

Medal of Kolman Helmschmid (1471–1532)

Hans Kels the Younger (d. 1565)

dated 1532 · Lead

Cleared · Public Domain

live
The MetSimilar
Portrait medal of Laux Kreler by German, The Metropolitan Museum of Art

Portrait medal of Laux Kreler

German

ca. 1537 (probably a later cast) · Lead

Cleared · Public Domain

live
The MetSimilar
Portrait medal of Paolo Giovio (obverse); Giovio Raising a Man from a Grave (reverse) by Francesco da Sangallo, The Metropolitan Museum of Art

Portrait medal of Paolo Giovio (obverse); Giovio Raising a Man from a Grave (reverse)

Francesco da Sangallo (d. 1576)

model ca. 1552 (probably a later cast) · Bronze (Copper alloy with brown patina under a layer of dark wax.)

Cleared · Public Domain

live
The MetSimilar
Portrait medal of Philip II (obverse); Mary Tudor Queen of England (reverse) by Jacopo Nizolla da Trezzo, The Metropolitan Museum of Art

Portrait medal of Philip II (obverse); Mary Tudor Queen of England (reverse)

Jacopo Nizolla da Trezzo (d. 1589)

1555 · Silver/copper alloy with traces of lead.

Cleared · Public Domain

live
The MetSimilar
Medal:  Bust of Sebastian Zäh by Antonio Abondio, The Metropolitan Museum of Art

Medal: Bust of Sebastian Zäh

Antonio Abondio (d. 1591)

model 1572 (cast 16th century) · Bronze (Copper alloy, with remains of gilding; the reverse partly silvered)

Cleared · Public Domain

live
The MetSimilar
Medal by Pierre Simon Benj. Duvivier, The Metropolitan Museum of Art

Medal

Pierre Simon Benj. Duvivier (d. 1819)

1770–1800 · Cast iron

Cleared · Public Domain

live
The MetSimilar
Medal by Pierre Simon Benj. Duvivier, The Metropolitan Museum of Art

Medal

Pierre Simon Benj. Duvivier (d. 1819)

1770–1800 · Bronze

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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