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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    323 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    312 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 31 matching records exist across the two collections.

Results for "Automaton in the Form of a Triumphal Cha"12 records

Institutions answered newest-first by record, interleaved

Portrait medal of Sultan Mehmed II (obverse); a Triumphal Chariot (reverse) by Bertoldo di Giovanni, The Metropolitan Museum of Art

Portrait medal of Sultan Mehmed II (obverse); a Triumphal Chariot (reverse)

Bertoldo di Giovanni (d. 1491)

model 1480 (old aftercast) · Bronze

Cleared · Public Domain

live
The MetSimilar
Saint John the Baptist; Saint Lucy by Perugino (Pietro di Cristoforo Vannucci), The Metropolitan Museum of Art

Saint John the Baptist; Saint Lucy

Perugino (Pietro di Cristoforo Vannucci) (d. 1523)

1523 · Oil(?) on wood

Cleared · Public Domain

live
The MetSimilar
Automaton clock in the form of the Madonna and Child by Nikolaus Schmidt the Elder, The Metropolitan Museum of Art

Automaton clock in the form of the Madonna and Child

Nikolaus Schmidt the Elder (d. 1630)

ca. 1620–25 · Case: gilded brass, silver, and ebony veneered on oak; Movement: brass and iron

Cleared · Public Domain

live
The MetSimilar
Automaton clock in the form of an eagle by an unrecorded maker, The Metropolitan Museum of Art

Automaton clock in the form of an eagle

Unrecorded maker

ca. 1630 · Case: gilded brass on base of ebony and ebony veneered on fruitwood; Movement: brass and iron

Cleared · Public Domain

live
The MetSimilar
Automaton clock in the form of Urania, Muse of Astronomy by Paullus Schiller, The Metropolitan Museum of Art

Automaton clock in the form of Urania, Muse of Astronomy

Paullus Schiller (d. 1634)

ca. 1620–30 · Case: partly gilded and partly silvered brass, copper with traces of silver, ebony, and ebony veneer; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Automaton clock in the form of a lion by Karl Schmidt, The Metropolitan Museum of Art

Automaton clock in the form of a lion

Karl Schmidt (d. 1636)

ca. 1620–35 · Case: gilded brass and gilded silver on a base of ebony, and ebony veneered on fruitwood; Dial: silvered brass; Movement: iron and brass

Cleared · Public Domain

live
The MetSimilar
Hilt of a Ritual Sword by an unrecorded maker, The Metropolitan Museum of Art

Hilt of a Ritual Sword

Unrecorded maker

16th–17th century · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Automaton in the form of a chariot pushed by a Chinese attendant and set with a clock by James Cox, The Metropolitan Museum of Art

Automaton in the form of a chariot pushed by a Chinese attendant and set with a clock

James Cox (d. 1800)

1766 · Case: gold with diamonds and paste jewels set in silver, pearls; Dial: white enamel; Movement: partly gilded brass and steel, wheel balance and cock of silver set with paste jewels

Cleared · Public Domain

live
The MetSimilar
Automaton in the Form of a Triumphal Chariot Drawn by Four Horses by an unrecorded maker, The Metropolitan Museum of Art

Automaton in the Form of a Triumphal Chariot Drawn by Four Horses

Unrecorded maker

ca. 1760–70 · Gilt bronze, brilliants

Cleared · Public Domain

live
The MetSimilar
Watch in the form of a human skull by Isaac Penard, The Metropolitan Museum of Art

Watch in the form of a human skull

Isaac Penard (d. 1676)

case ca. 1810–20, movement ca. 1650 · Case: silver; Dial: silver, partly nielloed; Movement: gilded brass and steel

Cleared · Public Domain

live
The MetSimilar
Automaton by an unrecorded maker, The Metropolitan Museum of Art

Automaton

Unrecorded maker

ca. 1820 · Gold, enamel, diamond, ruby

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Triumphal Arch with Imagery celebrating Architecture

Anonymous, Central European, 18th century (d. 1800)

ca. 1720–50 · Pen and ink with wash over graphite underdrawing

In copyright

live
The MetSimilar

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