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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    399 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    291 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 66,383 matching records exist across the two collections.

Results for "Avarice (Avaritia), from the series The"12 records

Institutions answered newest-first by record, interleaved

Hercules chasing Avarice from the temple of the Muses by Ugo da Carpi, The Metropolitan Museum of Art

Hercules chasing Avarice from the temple of the Muses

Ugo da Carpi (d. 1532)

ca. 1520–27 · Chiaroscuro woodcut from two blocks in brown

Cleared · Public Domain

live
The MetSimilar
Hercules chasing Avarice from the Temple of the Muses by Ugo da Carpi, The Metropolitan Museum of Art

Hercules chasing Avarice from the Temple of the Muses

Ugo da Carpi (d. 1532)

ca. 1520–27 · Chiaroscuro woodcut from two blocks in green

Cleared · Public Domain

live
The MetSimilar
Avarice (Avaritia), from "The Seven Vices" by Georg Pencz, The Metropolitan Museum of Art

Avarice (Avaritia), from "The Seven Vices"

Georg Pencz (d. 1550)

1546 · Engraving

Cleared · Public Domain

live
The MetSimilar
Avarice, from The Vices by Heinrich Aldegrever, The Metropolitan Museum of Art

Avarice, from The Vices

Heinrich Aldegrever (d. 1561)

1552 · Engraving

Cleared · Public Domain

live
The MetSimilar
Avarice (Avaritia) from The Seven Deadly Sins by Pieter Bruegel the Elder, The Metropolitan Museum of Art

Avarice (Avaritia) from The Seven Deadly Sins

Pieter Bruegel the Elder (d. 1569)

1558 · Engraving; first state of two

Cleared · Public Domain

live
The MetSimilar
Avarice (Avaritia), from "The Seven Deadly Sins" by Pieter van der Heyden, The Metropolitan Museum of Art

Avarice (Avaritia), from "The Seven Deadly Sins"

Pieter van der Heyden (d. 1569)

1558 · Engraving; first state of two

Cleared · Public Domain

live
The MetSimilar
Avarice (Avaritia), from the series The Seven Deadly Sins by Pieter Bruegel the Elder, The Metropolitan Museum of Art

Avarice (Avaritia), from the series The Seven Deadly Sins

Pieter Bruegel the Elder (d. 1569)

1558 · Engraving; first state of two

Cleared · Public Domain

live
The MetSimilar
Avaritia by Theodor de Bry, The Metropolitan Museum of Art

Avaritia

Theodor de Bry (d. 1598)

1580–1600 · Engraving

Cleared · Public Domain

live
The MetSimilar
Allegory of Avarice by Jacopo Ligozzi, The Metropolitan Museum of Art

Allegory of Avarice

Jacopo Ligozzi (d. 1627)

1626 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Shakespeare – Sacrificed; or, The Offering to Avarice by James Gillray, The Metropolitan Museum of Art

Shakespeare – Sacrificed; or, The Offering to Avarice

James Gillray (d. 1815)

June 20, 1789 · Etching and aquatint; undescribed state

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Avarice, plate 6 from "The Vices"

Jacob Matham (d. 1631)

after 1587 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Avarice, plate 6 from "The Vices"

Jacob Matham (d. 1631)

1593 · Engraving

In copyright

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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