
The Golden State Entering New York Harbor
Fitz Henry Lane (formerly Fitz Hugh Lane) (d. 1865)
1854 · Oil on canvas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
228 ms. The Metropolitan Museum of Art, Collection API (Open Access)
375 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12,050 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Golden State Entering New York Harbor
Fitz Henry Lane (formerly Fitz Hugh Lane) (d. 1865)
1854 · Oil on canvas
Cleared · Public Domain
live
Awarded by the State of New York to Commander Hartstene for His Successful Rescue of Dr. Kane.
Unrecorded maker
1857 · Gold
Cleared · Public Domain
live
Central Park, New York, Preparing for a Drive
George Schlegel, New York (d. 1957)
1873 · Hand-colored lithograph with painted black border
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Invitation to a Celebration of the Completion of the Erie Canal, November 4, 1825
Corporation of the City of New York
1825 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior View of the Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Floating Church of Our Saviour for Seamen, New York
George Endicott, New York (d. 1848)
1844 · Hand-colored Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Blacks:USA:1973 : 2 Columbus Circle, September 26 to November 15, 1973
New York Cultural Center
1973
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.