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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    232 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    300 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 140 matching records exist across the two collections.

Results for "Axe-Head with Four Picks"12 records

Institutions answered newest-first by record, interleaved

Bronze double-ax head by an unrecorded maker, The Metropolitan Museum of Art

Bronze double-ax head

Unrecorded maker

ca. 1700–1450 BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Axe-Head with Four Picks by an unrecorded maker, The Cleveland Museum of Art

Axe-Head with Four Picks

Unrecorded maker

2000–1000 BCE · Metalwork, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bronze double-ax head by an unrecorded maker, The Metropolitan Museum of Art

Bronze double-ax head

Unrecorded maker

ca. 1700–1450 BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Bronze double-ax head by an unrecorded maker, The Metropolitan Museum of Art

Bronze double-ax head

Unrecorded maker

ca. 1700–1450 BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Bronze double-ax head by an unrecorded maker, The Metropolitan Museum of Art

Bronze double-ax head

Unrecorded maker

ca. 1700–1450 BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Modified celt-pendant with incised motifs by Olmec artist(s), The Metropolitan Museum of Art

Modified celt-pendant with incised motifs

Olmec artist(s)

900–600 BCE · Jadeite

Cleared · Public Domain

live
The MetSimilar
Bone ligula (ear pick) by an unrecorded maker, The Metropolitan Museum of Art

Bone ligula (ear pick)

Unrecorded maker

1st–2nd century CE · Bone

Cleared · Public Domain

live
The MetSimilar
Lance Head by an unrecorded maker, The Metropolitan Museum of Art

Lance Head

Unrecorded maker

ca. 1500 · Steel, gold

Cleared · Public Domain

live
The MetSimilar
Horseman’s Ax of Cardinal Ippolito de’ Medici (1511–1535) by an unrecorded maker, The Metropolitan Museum of Art

Horseman’s Ax of Cardinal Ippolito de’ Medici (1511–1535)

Unrecorded maker

ca. 1530–35 · Steel, gold, wood

Cleared · Public Domain

live
The MetSimilar
Halberd by an unrecorded maker, The Metropolitan Museum of Art

Halberd

Unrecorded maker

ca. 1550 · Steel, wood

Cleared · Public Domain

live
The MetSimilar
Halberd of Prince Karl Eusebius of Liechtenstein (1611–1684) by an unrecorded maker, The Metropolitan Museum of Art

Halberd of Prince Karl Eusebius of Liechtenstein (1611–1684)

Unrecorded maker

dated 1632 · Steel, gold, wood

Cleared · Public Domain

live
The MetSimilar
Counterpane, Bolton type by an unrecorded maker, The Metropolitan Museum of Art

Counterpane, Bolton type

Unrecorded maker

ca. 1800–1830 · Cotton, woven

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.