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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    231 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    385 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 453 matching records exist across the two collections.

Results for "Bag Face"12 records

Institutions answered newest-first by record, interleaved

Storage Bag (Chuval) Face by an unrecorded maker, The Metropolitan Museum of Art

Storage Bag (Chuval) Face

Unrecorded maker

early 19th century · Wool, (warp, weft and pile), cotton (weft); asymmetrically knotted pile

Cleared · Public Domain

live
The MetSimilar
Bag with Human Face by an unrecorded maker, The Cleveland Museum of Art

Bag with Human Face

Unrecorded maker

600–1000 · Mixed Media, alpaca or llama hide, human hair, pigment, cotton; coca leaf contents

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Storage Bag (Chuval) Face by an unrecorded maker, The Metropolitan Museum of Art

Storage Bag (Chuval) Face

Unrecorded maker

early 19th century · Wool (warp, weft and pile), cotton (weft); asymmetrically knotted pile

Cleared · Public Domain

live
The MetSimilar
Reliquary bag with lions by an unrecorded maker, The Cleveland Museum of Art

Reliquary bag with lions

Unrecorded maker

late 1100s-1300s · Textile, cloth d’areste, weft-faced lozenge twill variant: silk and gold thread

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Beaded Bag by an unrecorded maker, The Metropolitan Museum of Art

Beaded Bag

Unrecorded maker

ca. 1860 · Tanned leather, cordage, glass beads, brass beads, and commercial brass buttons

Cleared · Public Domain

live
The MetSimilar
Turkmen Bag Face by an unrecorded maker, The Cleveland Museum of Art

Turkmen Bag Face

Unrecorded maker

1800s · Textile, Wool, silk, cotton; 252 symmetrical rug knots per square inch

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Face of half a Double Saddle Bag (Khorjin) by an unrecorded maker, The Metropolitan Museum of Art

Face of half a Double Saddle Bag (Khorjin)

Unrecorded maker

ca. 1850 · Wool (warp, ground weft, and sumak weft); sumak extra-weft wrapping (front); weft-faced plain weave (back)

Cleared · Public Domain

live
The MetSimilar
Mirror Back with Great Goddess by an unrecorded maker, The Cleveland Museum of Art

Mirror Back with Great Goddess

Unrecorded maker

400–550 CE · Sculpture, slate, pigment; other side originally inlaid with polished pyrite mirror

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Face of Half a Double Saddle Bag (Khorjin) by an unrecorded maker, The Metropolitan Museum of Art

Face of Half a Double Saddle Bag (Khorjin)

Unrecorded maker

mid-19th century · Wool (warp, sumak weft, and tapestry weft); sumak simple weft wrapping (no ground weft) and tapestry (kilim) with slits for closure

Cleared · Public Domain

live
The MetSimilar
Shahsevan Saddle Bag Face by an unrecorded maker, The Metropolitan Museum of Art

Shahsevan Saddle Bag Face

Unrecorded maker

ca. 1850 · Wool and cotton; sumak technique

Cleared · Public Domain

live
The MetSimilar
Face from a Large Bag (Chuval) by an unrecorded maker, The Metropolitan Museum of Art

Face from a Large Bag (Chuval)

Unrecorded maker

ca. 1860–70 · Wool (warp, weft, and pile); asymmetrically knotted pile, tapestry weave

Cleared · Public Domain

live
The MetSimilar
Shahsevan Saddle Bag Face by an unrecorded maker, The Metropolitan Museum of Art

Shahsevan Saddle Bag Face

Unrecorded maker

ca. 1870 · Wool and cotton; sumak technique

Cleared · Public Domain

live
The MetSimilar

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3. Seal and export

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