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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    296 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    737 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6,871 matching records exist across the two collections.

Results for "Bag with Human Face"12 records

Institutions answered newest-first by record, interleaved

Human-face Scarab with Sphinx and Hieroglyphs by an unrecorded maker, The Metropolitan Museum of Art

Human-face Scarab with Sphinx and Hieroglyphs

Unrecorded maker

ca. 1300–1080 BCE · Dark green glazed steatite

Cleared · Public Domain

live
The MetSimilar
Bag with Human Face by an unrecorded maker, The Cleveland Museum of Art

Bag with Human Face

Unrecorded maker

600–1000 · Mixed Media, alpaca or llama hide, human hair, pigment, cotton; coca leaf contents

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Earring with human face by an unrecorded maker, The Metropolitan Museum of Art

Earring with human face

Unrecorded maker

1st century BCE–3rd century CE · Gold, garnet

Cleared · Public Domain

live
The MetSimilar
Mirror Back with Great Goddess by an unrecorded maker, The Cleveland Museum of Art

Mirror Back with Great Goddess

Unrecorded maker

400–550 CE · Sculpture, slate, pigment; other side originally inlaid with polished pyrite mirror

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Roundel with Human Face by an unrecorded maker, The Metropolitan Museum of Art

Roundel with Human Face

Unrecorded maker

5th century · Linen, Wool (Slip-loop knotted pile)

Cleared · Public Domain

live
The MetSimilar
Work bag by an unrecorded maker, The Metropolitan Museum of Art

Work bag

Unrecorded maker

1669 · Linen worked with wool thread; double running and herringbone stitches

Cleared · Public Domain

live
The MetSimilar
Beaded Bag by an unrecorded maker, The Metropolitan Museum of Art

Beaded Bag

Unrecorded maker

ca. 1860 · Tanned leather, cordage, glass beads, brass beads, and commercial brass buttons

Cleared · Public Domain

live
The MetSimilar
Face of Half a Double Saddle Bag (Khorjin) by an unrecorded maker, The Metropolitan Museum of Art

Face of Half a Double Saddle Bag (Khorjin)

Unrecorded maker

mid-19th century · Wool (warp, sumak weft, and tapestry weft); sumak simple weft wrapping (no ground weft) and tapestry (kilim) with slits for closure

Cleared · Public Domain

live
The MetSimilar
Double Flour Bag by an unrecorded maker, The Metropolitan Museum of Art

Double Flour Bag

Unrecorded maker

last quarter 19th century · Wool (warp, sumak weft, and pile), cotton (ground weft), and goat(?) hair (braided loops); weft-faced plain weave with pattern in sumak extra-weft wrapping (front); symmetrically knotted pile (top and bottom edges); weft-faced plain weave with pattern in sumak extra-weft wrapping and twined and braided loop closures (back)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bag with lizard and human motifs

Bamunka artist

early 20th century · Raffia palm

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bag with human and bird motifs

Bamunka artist

early 20th century · Raffia palm fiber

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bag with human motifs

Bamunka artist

early 20th century · Raffia palm fiber

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.