A painting can be out of copyright and thephotograph of it can still be protected.

Lucretia

Raphael (Raffaello Sanzio or Santi) (d. 1520)

1508–10 · Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)

Seated Hercules in the act of shooting at the stymphalian birds

Vittore Gambello (d. 1537)

ca. 1515–20 · Bronze

Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67

Giuseppe Arcimboldo (d. 1593)

1564–65 · Pen and brown ink, brush with pale brown and purple wash, over soft black chalk (recto); pen and brown ink, some sketches over black chalk (verso)

An Indian Yogi Tied to a Palm Tree

Willem Schellinks (d. 1678)

mid-17th–late 17th century · Black chalk, graphite, red chalk; framing line in graphite, by the artist

David and Goliath

Francesco Fanelli (d. 1665)

17th century cast · Bronze

Figures in One of Michelangelo's Niches on the Apse of St. Peter's, Rome

Hubert Robert (d. 1808)

ca. 1763 · Red chalk; framing lines in pen and brown ink

Eyema byeri (reliquary guardian figure)

Okak-Fang artist

19th century · Wood, copper alloy, palm oil

Female figure from an obu (house of images)

Igbo artist

Late 19th century · Wood, pigment

Ballad (No. 18 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")

Frederick Smallfield (d. 1915)

1858 · Etching on chine collé

Ballad: – Sigh on, Sad Heart (No. 29 in "Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates")

Frederick Smallfield (d. 1915)

1858 · Etching on chine collé

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving