
Page from 'La Mer de Histoires'
Anonymous, French, 16th century (d. 1600)
1536 · Woodcut
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
336 ms. The Metropolitan Museum of Art, Collection API (Open Access)
341 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 276 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Page from 'La Mer de Histoires'
Anonymous, French, 16th century (d. 1600)
1536 · Woodcut
Cleared · Public Domain
live
Drawing of Two 'Americans' for Ballet de la Douairière de Billebahaut
Daniel Rabel (d. 1637)
1626 · Pen and brown ink, watercolor with silver and gold ink
Cleared · Public Domain
live
Country Ballet (Ballet Champêtre), from Essai de Papilloneries Humaines par Saint Aubin
Charles Germain de Saint-Aubin (d. 1786)
ca. 1756–60 · Etching; first state of two
Cleared · Public Domain
live
Street in Saintes-Maries-de-la-Mer
Vincent van Gogh (d. 1890)
ca. July 15, 1888 · Reed pen, quill, and brown ink over graphite on wove paper (laid down on wove paper; tack holes in all corners); later additions (by a restorer?) in black chalk, lower and upper right
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Homme en habit de Ballet (Man in Ballet Costume)
Jean Berain (d. 1711)
ca. 1680–84 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Place de Mer, Antwerp
Thomas Rowlandson (d. 1827)
1797 · Hand-colored etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Place de Mer, Antwerp
Thomas Rowlandson (d. 1827)
1797 · Hand-colored etching and aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ballet de Mer
Anne W. Brigman (d. 1950)
1913 · Platinum print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ballet de Mer
Anne W. Brigman (d. 1950)
1913 · Platinum print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Corps de Ballet
Cyril E. Power (d. 1951)
ca. 1932 · Linocut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mer de Chine
Unknown Designer
1930s · Block-printed cotton
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Souvenir Serge de Diaghileff's Ballet Russe
Léon Bakst (d. 1924)
20th century
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.