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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    246 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    624 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,170 matching records exist across the two collections.

Results for "Baltimore"12 records

Institutions answered newest-first by record, interleaved

Terracotta volute-krater (mixing bowl) by Baltimore Painter, The Metropolitan Museum of Art

Terracotta volute-krater (mixing bowl)

Baltimore Painter

ca. 330–310 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Fish Slice by Samuel Kirk, The Cleveland Museum of Art

Fish Slice

Samuel Kirk (d. 1872)

c. 1824 · Silver, silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a terracotta volute-krater by Baltimore Painter, The Metropolitan Museum of Art

Fragment of a terracotta volute-krater

Baltimore Painter

ca. 330–310 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Lace Flounce by an unrecorded maker, The Cleveland Museum of Art

Lace Flounce

Unrecorded maker

1700–1715 · Lace, Needle lace (Point de France)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a terracotta volute-krater (bowl for mixing wine and water) by Baltimore Painter, The Metropolitan Museum of Art

Fragment of a terracotta volute-krater (bowl for mixing wine and water)

Baltimore Painter

last quarter of 4th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Coffee Urn by Samuel Kirk, The Cleveland Museum of Art

Coffee Urn

Samuel Kirk (d. 1872)

c. 1843 · Silver, Silver, ivory

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a terracotta volute-krater (bowl for mixing wine and water); joins 19.192.81.5,.10,.11 by Baltimore Painter, The Metropolitan Museum of Art

Fragment of a terracotta volute-krater (bowl for mixing wine and water); joins 19.192.81.5,.10,.11

Baltimore Painter

last quarter of the 4th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Industrial Cleveland:  Baltimore and Ohio Railroad Lift Bridge by Harold G. Griffith, The Cleveland Museum of Art

Industrial Cleveland: Baltimore and Ohio Railroad Lift Bridge

Harold G. Griffith (d. 1996)

1930 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a terracotta volute-krater (bowl for mixing wine and water); joins 19.192.81.5,.10,.19 by Baltimore Painter, The Metropolitan Museum of Art

Fragment of a terracotta volute-krater (bowl for mixing wine and water); joins 19.192.81.5,.10,.19

Baltimore Painter

last quarter of the 4th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Leaf from a Book of Hours: Text with Illustrated Border (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Text with Illustrated Border (verso)

Unrecorded maker

c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a terracotta volute-krater (bowl for mixing wine and water); joins 19.192.81.5,.11,.19 by Baltimore Painter, The Metropolitan Museum of Art

Fragment of a terracotta volute-krater (bowl for mixing wine and water); joins 19.192.81.5,.11,.19

Baltimore Painter

last quarter of the 4th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Cover for a Coffee Urn by Samuel Kirk, The Cleveland Museum of Art

Cover for a Coffee Urn

Samuel Kirk (d. 1872)

c. 1843 · Silver, Silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.