
Pieces from a Robe (Kosode) with Pattern of Grapevine and Fence
Unrecorded maker
late 17th–mid-18th century · Shibori-dyed silk satin damask (rinzu) embroidered with silk and metallic thread
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
290 ms. The Metropolitan Museum of Art, Collection API (Open Access)
992 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 287 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Pieces from a Robe (Kosode) with Pattern of Grapevine and Fence
Unrecorded maker
late 17th–mid-18th century · Shibori-dyed silk satin damask (rinzu) embroidered with silk and metallic thread
Cleared · Public Domain
live
Chrysanthemums and Cabbage
Tao Cheng (d. 1502)
c. 1486 or before · Painting, handscroll; ink and slight color on paper
Cleared · CC0
live
Plate with tiger and bamboo
Chelsea Porcelain Manufactory (d. 1784)
ca. 1755 · Soft-paste porcelain painted with colored enamels over transparent glaze
Cleared · Public Domain
live
Yellow Chrysanthemums and Red Osmanthus in the Style of Wang Yuan
Shen Zhou (d. 1509)
1468 · Painting, hanging scroll; ink on paper
Cleared · CC0
live
Two Pieces from a Robe (Kosode) with Chrysanthemums, Clouds, and Bamboo
Unrecorded maker
late 17th–late 18th century · Stitch-and paste-resist-dyed and painted float-patterned plain-weave silk (saya)
Cleared · Public Domain
live
Bamboo Fence and Chrysanthemums
Kono Bairei (d. 1895)
1890 · Drawing, ink and color on paper
Cleared · CC0
liveCase (Inrō) with Designs of Chrysanthemums and Bamboo-Woven Fence
Unrecorded maker
ca. 1800 · Lacquer with mother-of-pearl and pewter; Interior: roiro and fundame; Ojime: gilt iron bead perforated in floral design; Netusuke: mother-of-pearl inlay, ivory, gold, and red and black lacquer in design of flying bird
Cleared · Public Domain
live
Flowers of Four Seasons, with Poems
Wang Guxiang (d. 1568)
1531 · Painting, handscroll; ink and light color on silk
Cleared · CC0
live
Chrysanthemums at the Eastern Fence
Tsubaki Kakoku (d. 1850)
1840s · Folding fan; ink and color on paper
Cleared · Public Domain
liveCase (Inrō) with Design of Chrysanthemums Beneath Bamboo Blinds
Unrecorded maker
19th century · Lacquer, roiro, gold, silver, blue and red togidashi; Interior: nashiji and fundame
Cleared · Public Domain
live
Stencil with Chrysanthemums and Fence
Unrecorded maker
Early–mid-20th century, after 1922 · Paper, silk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Robe (Kosode) with Clematis and Bamboo Fence
Unrecorded maker
mid-18th century · Figured silk satin with tie‑dyeing, silk-thread embroidery, and gold-thread couching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.