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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    529 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    283 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 469 matching records exist across the two collections.

Results for "Banks of the Oise at Dawn"12 records

Institutions answered newest-first by record, interleaved

Misty Dawn at the Seashore by Okada Hankō, The Metropolitan Museum of Art

Misty Dawn at the Seashore

Okada Hankō (d. 1846)

19th century · Hanging scroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Banks of the Oise at Dawn by Louis Hayet, The Cleveland Museum of Art

Banks of the Oise at Dawn

Louis Hayet (d. 1940)

1888 · Painting, Oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Banks of the Nile at Cairo by Francis Frith, The Metropolitan Museum of Art

Banks of the Nile at Cairo

Francis Frith (d. 1898)

ca. 1857, printed 1870s · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Early Morning, Battersea (Battersea Dawn) (Cadogan Pier) by James McNeill Whistler, The Metropolitan Museum of Art

Early Morning, Battersea (Battersea Dawn) (Cadogan Pier)

James McNeill Whistler (d. 1903)

probably 1863 · Etching and drypoint, printed in black ink on cream laid Japan; second state of two (Glasgow)

Cleared · Public Domain

live
The MetSimilar
The Banks of the Oise by Charles-François Daubigny, The Metropolitan Museum of Art

The Banks of the Oise

Charles-François Daubigny (d. 1878)

1863 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Métairie sur les bords de l'Oise by Félix Bracquemond, The Metropolitan Museum of Art

Métairie sur les bords de l'Oise

Félix Bracquemond (d. 1914)

1868 · Etching; touched artist's proof before first described state

Cleared · Public Domain

live
The MetSimilar
The Banks of the Seine at Conflans by Camille Corot, The Metropolitan Museum of Art

The Banks of the Seine at Conflans

Camille Corot (d. 1875)

ca. 1865–70 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View at Auvers-sur-Oise

Charles-François Daubigny (d. 1878)

1878 · Oil on paper, laid down on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reliefs at Dawn

Christopher Richard Wynne Nevinson (d. 1946)

1918 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Silent Dawn

Walter Launt Palmer (d. 1932)

by 1919 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wallet

Bailey, Banks & Biddle (d. 9999)

1915–25 · Leather, metal

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pines at Dawn

Sandy Noyes (d. 9999)

1980 · Palladium print

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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