Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    403 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    314 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 69 matching records exist across the two collections.

Results for "Banner With the Lion of St. Mark (banner"12 records

Institutions answered newest-first by record, interleaved

Plate with Lion of Saint Mark by an unrecorded maker, The Metropolitan Museum of Art

Plate with Lion of Saint Mark

Unrecorded maker

ca. 1500–1510 · Maiolica (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Banner With the Lion of St. Mark (banner) by an unrecorded maker, The Cleveland Museum of Art

Banner With the Lion of St. Mark (banner)

Unrecorded maker

late 1600s - early 1700s · Textile, brown silk with fringe

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Low footed bowl with central medallion of the winged lion of St. Mark in colored enamels by an unrecorded maker, The Metropolitan Museum of Art

Low footed bowl with central medallion of the winged lion of St. Mark in colored enamels

Unrecorded maker

first half 16th century · Glass, enamelled and gilt

Cleared · Public Domain

live
The MetSimilar
Banner With the Lion of St. Mark by an unrecorded maker, The Cleveland Museum of Art

Banner With the Lion of St. Mark

Unrecorded maker

late 1600s - early 1700s · Textile, brown silk with fringe

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Study for the Allegory of San Gimignano and Colle Val d'Elsa by Jacopo Zucchi, The Metropolitan Museum of Art

Study for the Allegory of San Gimignano and Colle Val d'Elsa

Jacopo Zucchi (d. 1596)

1563 · Pen and brown ink, highlighted with white gouache, traces of squaring in black chalk (on top of drawing surface), over traces of black chalk on blue paper

Cleared · Public Domain

live
The MetSimilar
Banner With the Lion of St. Mark (pole) by an unrecorded maker, The Cleveland Museum of Art

Banner With the Lion of St. Mark (pole)

Unrecorded maker

late 1600s - early 1700s · Arms and Armor, wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Madonna and Child with St. John the Baptist by Francesco Bartolozzi, The Metropolitan Museum of Art

Madonna and Child with St. John the Baptist

Francesco Bartolozzi (d. 1815)

1764–95 · Etching, printed in brown ink; state before letters

Cleared · Public Domain

live
The MetSimilar
Banner with staff by an unrecorded maker, The Metropolitan Museum of Art

Banner with staff

Unrecorded maker

18th century · Wood; brass; fabric

Cleared · Public Domain

live
The MetSimilar
Sword Guard (<i>Tsuba</i>) Depicting an Arrangement of Masks (面散図鐔) by an unrecorded maker, The Metropolitan Museum of Art

Sword Guard (<i>Tsuba</i>) Depicting an Arrangement of Masks (面散図鐔)

Unrecorded maker

ca. 1615–1868 · Iron, copper, silver, jade, gold, copper-gold alloy (shakudō)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Virgin and Child, sitting turned right, in a landscape; St. John kneeling on the right, holding the right foot of the Child, banner in right hand

Cornelis Schut (d. 1655)

1655 · Etching with engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A man holding a banner turned from the viewer (St. James Major?), from "Prove di Vari Rami Inediti [...]"

Francesco Rosaspina (d. 1841)

19th century · Etching and aquatint with brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Announcement of Newspaper “Change”

Iraida Ivanova Fomina (d. 1964)

1928 · Black ink, gouache, and watercolor over graphite on paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.