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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    532 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    244 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 16 matching records exist across the two collections.

Results for "Baptismal Bowl"12 records

Institutions answered newest-first by record, interleaved

The Feast of Herod and the Beheading of the Baptist by Giovanni Baronzio, The Metropolitan Museum of Art

The Feast of Herod and the Beheading of the Baptist

Giovanni Baronzio (d. 1349)

ca. 1330–35 · Tempera on wood, gold ground, and silver

Cleared · Public Domain

live
The MetSimilar
Baptismal Bowl with Christian Design of Cross and Insignia of the Society of Jesus: Hagi Ware by an unrecorded maker, The Cleveland Museum of Art

Baptismal Bowl with Christian Design of Cross and Insignia of the Society of Jesus: Hagi Ware

Unrecorded maker

c. 1600 · Ceramic, glazed stoneware, Waridawara type

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Apostle Spoon by an unrecorded maker, The Metropolitan Museum of Art

Apostle Spoon

Unrecorded maker

ca. 1490 · Silver, partially gilded

Cleared · Public Domain

live
The MetSimilar
Saint John the Baptist Baptizing the Multitude by Pellegrino Tibaldi, The Metropolitan Museum of Art

Saint John the Baptist Baptizing the Multitude

Pellegrino Tibaldi (d. 1596)

1554–56 · Pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Porringer by Paul Revere Jr., The Metropolitan Museum of Art

Porringer

Paul Revere Jr. (d. 1818)

ca. 1760 · Silver

Cleared · Public Domain

live
The MetSimilar
Baptismal Bowl by Samuel Danforth, The Metropolitan Museum of Art

Baptismal Bowl

Samuel Danforth (d. 1816)

1795–1816 · Pewter

Cleared · Public Domain

live
The MetSimilar
Doorway, Heckingham Church by John Sell Cotman, The Metropolitan Museum of Art

Doorway, Heckingham Church

John Sell Cotman (d. 1842)

1816–18 · Graphite and watercolor

Cleared · Public Domain

live
The MetSimilar
Baptismal Bowl by Oliver Trask, The Metropolitan Museum of Art

Baptismal Bowl

Oliver Trask (d. 1847)

1830–40 · Pewter

Cleared · Public Domain

live
The MetSimilar
Punch Bowl by Eoff and Phyfe, The Metropolitan Museum of Art

Punch Bowl

Eoff and Phyfe (d. 1850)

ca. 1846 · Silver

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Baptismal font with cover

Elkington & Co. (d. 1963)

19th century, after ca. 1660 original · Electroformed copper, silver plated and gilt

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Marble and glass mosaic font for Miss. G.C. Marson, Buffalo, New York

Louis C. Tiffany (d. 1933)

1902–15 · Watercolor, gouache, and graphite on off-white wove paper, original mat removed

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Suggestion of Baptismal Font for Rev. E.E. Rogers, D.D, Bowling Green, Ohio"

Louis C. Tiffany (d. 1933)

1916 · Transparent and opaque watercolor, ink, and graphite on paper mounted on paper board.

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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