
Barbute
Unrecorded maker
ca. 1460 · Steel
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
252 ms. The Metropolitan Museum of Art, Collection API (Open Access)
269 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 27 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Barbute
Unrecorded maker
ca. 1460 · Steel
Cleared · Public Domain
live
Two Satyrs in a Landscape
Titian (Tiziano Vecellio) (d. 1576)
ca. 1505–10 · Pen and brown ink, highlighted with white gouache on fine, off-white laid paper
Cleared · Public Domain
live
Young St. John the Baptist
Antonio Lombardo (d. 1516)
early 16th century · Bronze
Cleared · Public Domain
live
Elijah in the Fiery Chariot
Master of the Barbarigo Reliefs (d. 1575)
ca. 1520 · Bronze, partially oil-gilt
Cleared · Public Domain
live
Seated Hercules in the act of shooting at the stymphalian birds
Vittore Gambello (d. 1537)
ca. 1515–20 · Bronze
Cleared · Public Domain
live
Plate
Unrecorded maker
17th-early 18th century · Glass; blown a reticello
Cleared · Public Domain
live
Venus at the Forge of Vulcan (recto); Sketches with Two Putti (verso)
Sebastiano Conca (d. 1764)
ca. 1716–18 · Pen with black-brown and lighter brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on paper washed light brown (recto); pen and medium-brown ink, on unprepared buff paper (verso)
Cleared · Public Domain
live
Vase
Unrecorded maker
17th–18th century · Glass; blown, applied and crimped decoration
Cleared · Public Domain
live
Sampler
Angenett Jackson (d. 1903)
1838 · Silk embroidery on linen
Cleared · Public Domain
live
Armor
Unrecorded maker
ca. 1400–1450 and later · Steel, copper alloy, textile, leather
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bowen & McNamee's Silk Warehouse, Broadway, New York
Charles Gildemeister (d. 1869)
ca. 1850 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)
John Ruskin (d. 1900)
1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.