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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    252 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    269 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 27 matching records exist across the two collections.

Results for "Barbute (from the Venetian Garrison at C"12 records

Institutions answered newest-first by record, interleaved

Barbute by an unrecorded maker, The Metropolitan Museum of Art

Barbute

Unrecorded maker

ca. 1460 · Steel

Cleared · Public Domain

live
The MetSimilar
Two Satyrs in a Landscape by Titian (Tiziano Vecellio), The Metropolitan Museum of Art

Two Satyrs in a Landscape

Titian (Tiziano Vecellio) (d. 1576)

ca. 1505–10 · Pen and brown ink, highlighted with white gouache on fine, off-white laid paper

Cleared · Public Domain

live
The MetSimilar
Young St. John the Baptist by Antonio Lombardo, The Metropolitan Museum of Art

Young St. John the Baptist

Antonio Lombardo (d. 1516)

early 16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Elijah in the Fiery Chariot by Master of the Barbarigo Reliefs, The Metropolitan Museum of Art

Elijah in the Fiery Chariot

Master of the Barbarigo Reliefs (d. 1575)

ca. 1520 · Bronze, partially oil-gilt

Cleared · Public Domain

live
The MetSimilar
Seated Hercules in the act of shooting at the stymphalian birds by Vittore Gambello, The Metropolitan Museum of Art

Seated Hercules in the act of shooting at the stymphalian birds

Vittore Gambello (d. 1537)

ca. 1515–20 · Bronze

Cleared · Public Domain

live
The MetSimilar
Plate by an unrecorded maker, The Metropolitan Museum of Art

Plate

Unrecorded maker

17th-early 18th century · Glass; blown a reticello

Cleared · Public Domain

live
The MetSimilar
Venus at the Forge of Vulcan (recto); Sketches with Two Putti (verso) by Sebastiano Conca, The Metropolitan Museum of Art

Venus at the Forge of Vulcan (recto); Sketches with Two Putti (verso)

Sebastiano Conca (d. 1764)

ca. 1716–18 · Pen with black-brown and lighter brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on paper washed light brown (recto); pen and medium-brown ink, on unprepared buff paper (verso)

Cleared · Public Domain

live
The MetSimilar
Vase by an unrecorded maker, The Metropolitan Museum of Art

Vase

Unrecorded maker

17th–18th century · Glass; blown, applied and crimped decoration

Cleared · Public Domain

live
The MetSimilar
Sampler by Angenett Jackson, The Metropolitan Museum of Art

Sampler

Angenett Jackson (d. 1903)

1838 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Armor by an unrecorded maker, The Metropolitan Museum of Art

Armor

Unrecorded maker

ca. 1400–1450 and later · Steel, copper alloy, textile, leather

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bowen & McNamee's Silk Warehouse, Broadway, New York

Charles Gildemeister (d. 1869)

ca. 1850 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)

John Ruskin (d. 1900)

1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.