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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    582 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    287 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 56 matching records exist across the two collections.

Results for "Bardiche (Pole Axe)"12 records

Institutions answered newest-first by record, interleaved

Halberd by an unrecorded maker, The Metropolitan Museum of Art

Halberd

Unrecorded maker

ca. 1400 · Steel, iron, wood

Cleared · Public Domain

live
The MetSimilar
Bardiche (Pole Axe) by an unrecorded maker, The Cleveland Museum of Art

Bardiche (Pole Axe)

Unrecorded maker

1500s · Arms and Armor, steel, leather, brass; wood haft

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Halberd by an unrecorded maker, The Metropolitan Museum of Art

Halberd

Unrecorded maker

15th century · Steel, wood (oak), iron

Cleared · Public Domain

live
The MetSimilar
Axe (Berdiche) by an unrecorded maker, The Metropolitan Museum of Art

Axe (Berdiche)

Unrecorded maker

ca. 14th–15th century · Steel, wood, silver

Cleared · Public Domain

live
The MetSimilar
Helm for Foot Combat by an unrecorded maker, The Metropolitan Museum of Art

Helm for Foot Combat

Unrecorded maker

ca. 1500–1520 · Steel

Cleared · Public Domain

live
The MetSimilar
Halberd by an unrecorded maker, The Metropolitan Museum of Art

Halberd

Unrecorded maker

dated 1580 · Steel, wood

Cleared · Public Domain

live
The MetSimilar
Halberd by an unrecorded maker, The Metropolitan Museum of Art

Halberd

Unrecorded maker

late 16th century · Steel, wood

Cleared · Public Domain

live
The MetSimilar
Halberd by an unrecorded maker, The Metropolitan Museum of Art

Halberd

Unrecorded maker

1550–1600 · Steel, wood (ash), textile (velvet)

Cleared · Public Domain

live
The MetSimilar
Jahangir Watching an Elephant Fight by Farrukh Chela, The Metropolitan Museum of Art

Jahangir Watching an Elephant Fight

Farrukh Chela

ca. 1605 · Main support: Ink, opaque watercolor, gold on paper Margins: Gold on dyed paper

Cleared · Public Domain

live
The MetSimilar
Axe (Berdiche) by an unrecorded maker, The Metropolitan Museum of Art

Axe (Berdiche)

Unrecorded maker

A.H. 1197/ 1782–83 CE · Steel, wood, silver

Cleared · Public Domain

live
The MetSimilar
Dervish Ax by an unrecorded maker, The Metropolitan Museum of Art

Dervish Ax

Unrecorded maker

dated A.H. 1241/1825–26 CE · Steel, silver, copper, wood

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Model of a Chariot from the Tomb of Yuya and Tjuyu

Andrea Altobello

date not published · Wood, leather, paint, gold leaf

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.