
Armchair (fauteuil à la reine)
Unrecorded maker
ca. 1690–1710 · Carved and gilded walnut, late 17th-century wool velvet (not original)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
209 ms. The Metropolitan Museum of Art, Collection API (Open Access)
424 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Armchair (fauteuil à la reine)
Unrecorded maker
ca. 1690–1710 · Carved and gilded walnut, late 17th-century wool velvet (not original)
Cleared · Public Domain
live
Studies of Twelve Greek and Roman Coins
Eugène Delacroix (d. 1863)
1825 · Lithograph; second state of four
Cleared · Public Domain
live
Baron Schwiter (Louis Auguste Schwiter, 1805–1889)
Eugène Delacroix (d. 1863)
1826 · Lithograph on chine collé; only state
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Angel from "The Flight of Lot and his Family from Sodom" by Rubens
Baron Louis-Auguste de Schwiter (d. 1889)
1826–89 · Pastel
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Figure from "The Flight of Lot and his Family from Sodom" by Rubens
Baron Louis-Auguste de Schwiter (d. 1889)
1826–89 · Pastel
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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