
Temple de Venus et de Rome, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
287 ms. The Metropolitan Museum of Art, Collection API (Open Access)
943 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 35 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Temple de Venus et de Rome, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
Cleared · Public Domain
live
Bas-reliefs de la façade du Temple de Dendérah (Tentyris)
Maxime Du Camp (d. 1894)
1849–50 · Salted paper print from paper negative
Cleared · Public Domain
live
Isis et Horus-Arsiési - Bas-relief du Temple de Kalabcheh (Talmis)
Maxime Du Camp (d. 1894)
April 8, 1850 · Salted paper print from paper negative
Cleared · Public Domain
live
Pilier du Sanctuaire de granit du Palais de Karnac (Bas-relief représentant le Pharaon Thotmès III et la Déesse Nauth)
Maxime Du Camp (d. 1894)
1849–50 · Salted paper print from paper negative
Cleared · Public Domain
live
Pilier du Sanctuaire de granit du Palais de Karnac (Bas-relief représentant Thotmès III et la Déesse Athor)
Maxime Du Camp (d. 1894)
1849–50 · Salted paper print from paper negative
Cleared · Public Domain
live
Ptolémée-Cæsarion - Bas-relief du Temple de Kalabcheh (Talmis)
Maxime Du Camp (d. 1894)
April 8, 1850 · Salted paper print from paper negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Génie de la Musique en Bas Relief (Genius of Music in Bas-Relief), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi
Madame la Marquise de Pompadour (d. 1764)
1752–55 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bas-Relief (Louis XV), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi
Madame la Marquise de Pompadour (d. 1764)
ca. 1755 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Temple de Vesta, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Basrelief, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Jean Barbault (d. 1762)
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Féste de Lanurium, Jugurtha livré à Sylla, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Jean Barbault (d. 1762)
1770 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frise du Temple de Pallas, from "Recueil de divers Monumens Anciens répandus en plusieurs endroits de L'Italie"
Jean Barbault (d. 1762)
1770 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.