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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    650 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    488 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 14,345 matching records exist across the two collections.

Results for "Base for a Cross"12 records

Institutions answered newest-first by record, interleaved

Processional Cross by an unrecorded maker, The Metropolitan Museum of Art

Processional Cross

Unrecorded maker

ca. 1000–1050 · Silver with gilding and gilded silver medallions

Cleared · Public Domain

live
The MetSimilar
Descent from the Cross by Adam Lenckhardt, The Cleveland Museum of Art

Descent from the Cross

Adam Lenckhardt (d. 1661)

1653 · Sculpture, ivory

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Base for a Cross by an unrecorded maker, The Metropolitan Museum of Art

Base for a Cross

Unrecorded maker

11th century · Copper alloy, cast, filed, reamed, and scraped

Cleared · Public Domain

live
The MetSimilar
The Crucifixion of Saint Andrew by Caravaggio, The Cleveland Museum of Art

The Crucifixion of Saint Andrew

Caravaggio (d. 1610)

1606–7 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Base for a Cross by an unrecorded maker, The Metropolitan Museum of Art

Base for a Cross

Unrecorded maker

11th century · Copper alloy, cast, filed, reamed, and scraped

Cleared · Public Domain

live
The MetSimilar
Double-Arm Reliquary Cross by an unrecorded maker, The Cleveland Museum of Art

Double-Arm Reliquary Cross

Unrecorded maker

c. 1100–1200 · Metalwork, gold

Cleared · CC0

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Cleveland Museum of ArtSimilar
Base for a Cross by an unrecorded maker, The Metropolitan Museum of Art

Base for a Cross

Unrecorded maker

11th century · Copper alloy: leaded medium-tin bronze with a significant trace of zinc

Cleared · Public Domain

live
The MetSimilar
Design for a Chalice (recto) by Luzio Romano, The Cleveland Museum of Art

Design for a Chalice (recto)

Luzio Romano

mid-1500s · Drawing, Black chalk, pen and brown ink, and brown wash, over black chalk, on laid paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Base of an Altar Cross with the Four Evangelists and Their Symbols by an unrecorded maker, The Metropolitan Museum of Art

Base of an Altar Cross with the Four Evangelists and Their Symbols

Unrecorded maker

ca. 1160 · Champlevé enamel on gilded copper alloy

Cleared · Public Domain

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The MetSimilar
Saint Jerome in Penitence by an unrecorded maker, The Cleveland Museum of Art

Saint Jerome in Penitence

Unrecorded maker

c. 1480–1500 · Print, engraving

Cleared · CC0

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Cleveland Museum of ArtSimilar
Base for a Statuette by an unrecorded maker, The Metropolitan Museum of Art

Base for a Statuette

Unrecorded maker

1470–80 · Boxwood

Cleared · Public Domain

live
The MetSimilar
Clog-shaped Teabowl by an unrecorded maker, The Cleveland Museum of Art

Clog-shaped Teabowl

Unrecorded maker

early 1600s · Ceramic, Glazed stoneware (Mino ware, Oribe type)

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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