
Terracotta pyxis (box)
Unrecorded maker
ca. 420–400 BCE · Terracotta
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1080 ms. The Metropolitan Museum of Art, Collection API (Open Access)
254 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Terracotta pyxis (box)
Unrecorded maker
ca. 420–400 BCE · Terracotta
Cleared · Public Domain
live
Plaque with the Fountain of Youth
Unrecorded maker
ca. 1320–40 · Elephant ivory
Cleared · Public Domain
live
Vertical Landscape with the Ruins of the Temple of Venus and Roma, from "Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles"
Lambert Suavius (d. 1576)
1554 · Etching
Cleared · Public Domain
live
Bath Box
Unrecorded maker
17th–18th century · Wood; inlaid with bone and colored-wood, and lathe-turned feet
Cleared · Public Domain
live
On the Beach at Trouville
Eugène Boudin (d. 1898)
1863 · Oil on wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
In the Opera Box
Mary Cassatt (d. 1926)
ca. 1880 · Drawing for soft ground transfer
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Golden Afternoon
Childe Hassam (d. 1935)
1908 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Preliminaries
George Bellows (d. 1925)
1916 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Maiko (Female Performer)
Kitano Tsunetomi (d. 1947)
ca. 1915 · Hanging scroll: ink, color, gold, and silver on silk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bathing suit
Tom Brigance (d. 1990)
1952 · cotton, rayon
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Beachwear
Carolyn Schnurer (d. 1998)
1952 · cotton
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bathing suit
Tom Brigance (d. 1990)
spring/summer 1960 · cotton, rayon
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.