Judgment of Paris
Simon Francis Ravenet, the elder (d. 1774)
ca. 1753–56 · Enameled copper
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
2746 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
301 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 11 matching records exist across the two collections.
Results for "Battersea Reach"12 records
Institutions answered newest-first by record, interleaved
Battersea Reach
Francis Seymour Haden (d. 1910)
1863 · Print, etching
Cleared · CC0
liveCleveland Museum of ArtSimilar
Patch box depicting Master Betty
Peltro William Tomkins (d. 1840)
ca. 1804 · Enamel on copper; mirror glass
Cleared · Public Domain
liveThe MetSimilar
Battersea Reach
Francis Seymour Haden (d. 1910)
1843 · Print, etching
Cleared · CC0
liveCleveland Museum of ArtSimilar
Battersea Reach
Sir Francis Seymour Haden (d. 1910)
1863 · Etching with drypoint; first state of two (Harrington); fourth state of seven (Schneiderman)
Cleared · Public Domain
liveThe MetSimilar
Battersea Reach
Francis Seymour Haden (d. 1910)
1843 · Print, etching
Cleared · CC0
liveCleveland Museum of ArtSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The James M. Kellogg Collection of Enameled Objects
Unrecorded maker
second half of the 18th century · Enamel on copper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Battersea Reach
Sir Francis Seymour Haden (d. 1910)
1863 · Etching; second state of two (Harrington); seventh state of eleven (Schneiderman)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Battersea Reach
Sir Francis Seymour Haden (d. 1910)
1863 · Etching with drypoint; first state of two (Harrington); fourth state of seven (Schneiderman)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Battersea Reach (La Tamise à Battersea)
Sir Francis Seymour Haden (d. 1910)
1863 · Etching and drypoint; second state of two (Harrington); seventh state of twelve (Schneiderman)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Battersea Reach (La Tamise à Battersea)
Sir Francis Seymour Haden (d. 1910)
1863 · Etching; second state of two (Harrington); seventh state of eleven (Schneiderman)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Battersea Bridge
Sir Francis Seymour Haden (d. 1910)
1865 · Etching and drypoint; first state of three (Harrington); fourth state of seven (Schneiderman)
In copyright
liveThe MetSimilar
1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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