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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    144 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    308 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6 matching records exist across the two collections.

Results for "Battersea Reach (La Tamise à Battersea)"6 records

Institutions answered newest-first by record, interleaved

The Sacrifice of Iphigenia by Charles de la Fosse, The Metropolitan Museum of Art

The Sacrifice of Iphigenia

Charles de la Fosse (d. 1716)

ca. 1755–60 · Enamel on copper

Cleared · Public Domain

live
The MetSimilar
Battersea Reach by Sir Francis Seymour Haden, The Metropolitan Museum of Art

Battersea Reach

Sir Francis Seymour Haden (d. 1910)

1863 · Etching with drypoint; first state of two (Harrington); fourth state of seven (Schneiderman)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Battersea Reach

Sir Francis Seymour Haden (d. 1910)

1863 · Etching; second state of two (Harrington); seventh state of eleven (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Battersea Reach

Sir Francis Seymour Haden (d. 1910)

1863 · Etching with drypoint; first state of two (Harrington); fourth state of seven (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Battersea Reach (La Tamise à Battersea)

Sir Francis Seymour Haden (d. 1910)

1863 · Etching and drypoint; second state of two (Harrington); seventh state of twelve (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Battersea Reach (La Tamise à Battersea)

Sir Francis Seymour Haden (d. 1910)

1863 · Etching; second state of two (Harrington); seventh state of eleven (Schneiderman)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.