
The Battle of Constantine at the Milvian Bridge, after Raphael
Giovanni Battista Cavalieri (d. 1601)
ca. 1569 · Engraving on two joined sheets
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
391 ms. The Metropolitan Museum of Art, Collection API (Open Access)
336 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 696 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Battle of Constantine at the Milvian Bridge, after Raphael
Giovanni Battista Cavalieri (d. 1601)
ca. 1569 · Engraving on two joined sheets
Cleared · Public Domain
live
The Battle Between Scipio and Hannibal at Zama
Cornelis Cort (d. 1578)
1550–78 · Engraving
Cleared · Public Domain
live
Battle between Christians and Muslims at El Sotillo
Francisco de Zurbarán (d. 1664)
ca. 1637–39 · Oil on canvas
Cleared · Public Domain
live
The Famous Battle Between Thomas Johnson and Michael Ryan, February 11, 1789
Thomas Rowlandson (d. 1827)
February 12, 1789 · Hand-colored etching
Cleared · Public Domain
live
A Battle Between Cavalrymen and Infantry
Dirk Langendijk (d. 1805)
1790 (or 1798?) · Pen and brown ink, brush and gray wash
Cleared · Public Domain
live
The Battle Between Cribb and Molineaux, September 28, 1811
George Cruikshank (d. 1878)
October 3, 1811 · Hand-colored etching
Cleared · Public Domain
live
Design for a Mural with the Battle between the Gods of Olympus and the Giants
Paul Chenavard (d. 1895)
ca. 1840–80 · Pen and black ink, brush and washes in green, gray and brown tones
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Marionette no. 112, Cabaret Crusades: The Secrets of Karbalaa
Wael Shawky (d. 9999)
2014 · Glass, cotton, enamel, metal and thread
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Marionette no. 114, Cabaret Crusades: The Secrets of Karbalaa
Wael Shawky (d. 9999)
2014 · Glass, twine, enamel, metal, and string
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Marionette no. 52, Cabaret Crusades: The Secrets of Karbalaa
Wael Shawky (d. 9999)
2014 · Glass, fabric, enamel, metal, wood, and string
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Marionette no. 69, Cabaret Crusades: The Secrets of Karbalaa
Wael Shawky (d. 9999)
2014 · Glass, fabric, enamel, metal, wood, and string
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Marionette no. 94, Cabaret Crusades: The Secrets of Karbalaa
Wael Shawky (d. 9999)
2014 · Glass, enamel, textile, gauze, wooden beads and shells, metal
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.