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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    862 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    319 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 23 matching records exist across the two collections.

Results for "Battlefield of New Hope Church, Georgia,"12 records

Institutions answered newest-first by record, interleaved

Philip King of Mount Hope by Paul Revere Jr., The Metropolitan Museum of Art

Philip King of Mount Hope

Paul Revere Jr. (d. 1818)

1772 · Engraving

Cleared · Public Domain

live
The MetSimilar
Battlefield of New Hope Church, Georgia, No. 2 by George N. Barnard, The Cleveland Museum of Art

Battlefield of New Hope Church, Georgia, No. 2

George N. Barnard (d. 1902)

1865–1866 · Photograph, albumen print from wet collodion negative

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Plate by Thomas Mayer, The Metropolitan Museum of Art

Plate

Thomas Mayer (d. 1838)

ca. 1826–ca. 1835 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
The Veteran in a New Field by Winslow Homer, The Metropolitan Museum of Art

The Veteran in a New Field

Winslow Homer (d. 1910)

1865 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Pompton Plains, New Jersey by Jasper Francis Cropsey, The Metropolitan Museum of Art

Pompton Plains, New Jersey

Jasper Francis Cropsey (d. 1900)

1867 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Battle Field of New Hope Church, Georgia No. 1 by George N. Barnard, The Metropolitan Museum of Art

Battle Field of New Hope Church, Georgia No. 1

George N. Barnard (d. 1902)

1860s · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Battle Field of New Hope Church, Georgia No. 2 by George N. Barnard, The Metropolitan Museum of Art

Battle Field of New Hope Church, Georgia No. 2

George N. Barnard (d. 1902)

1860s · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Faith and Hope by Henry E. Sharp, The Metropolitan Museum of Art

Faith and Hope

Henry E. Sharp (d. 1897)

1867–69 · Stained glass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Beaker

Jurian Blanck Jr. (d. 1714)

ca. 1683 · Silver

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Beaker

Benjamin Wynkoop (d. 1751)

1711 · Silver

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St. Philip, Representing Hope: Design for a Stained-Glass Window, First Presbyterian Church, Flemington, New Jersey (one of a set of seven)

D. Maitland Armstrong (d. 1918)

1918–21 · Watercolor and pen and ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for "Calling of Peter and Andrew" Window, All Saints' Episcopal Church, Atlanta, Georgia

Louis C. Tiffany (d. 1933)

ca. 1922 · Transparent and opaque watercolor, ink, and graphite on paper mounted on paperboard with window mat

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.