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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    741 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    499 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 869 matching records exist across the two collections.

Results for "Bead, ribbed"12 records

Institutions answered newest-first by record, interleaved

String of 52 Beads by an unrecorded maker, The Metropolitan Museum of Art

String of 52 Beads

Unrecorded maker

ca. 2nd century BCE–2nd century CE · Glass, gold foil

Cleared · Public Domain

live
The MetSimilar
String of 6 Beads by an unrecorded maker, The Metropolitan Museum of Art

String of 6 Beads

Unrecorded maker

ca. 2nd century BCE–2nd century CE · Glass, gold foil

Cleared · Public Domain

live
The MetSimilar
Tureen with cover by Thomas Whieldon factory, Stoke-on-Trent, Fenton Vivian, Staffordshire, The Metropolitan Museum of Art

Tureen with cover

Thomas Whieldon factory, Stoke-on-Trent, Fenton Vivian, Staffordshire

ca. 1760 · Tortoiseshell ware

Cleared · Public Domain

live
The MetSimilar
Basket by Myer Myers, The Metropolitan Museum of Art

Basket

Myer Myers (d. 1795)

1770–76 · Silver

Cleared · Public Domain

live
The MetSimilar
Dish by I. L., The Metropolitan Museum of Art

Dish

I. L.

18th century · Silver

Cleared · Public Domain

live
The MetSimilar
Inkwell by an unrecorded maker, The Metropolitan Museum of Art

Inkwell

Unrecorded maker

1800–1900 · Lacy pressed blue glass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bead

Unrecorded maker

ca. 1300–1080 BCE · Faience

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bead, ribbed

Unrecorded maker

ca. 1550–1300 BCE · Faience

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bead, ribbed

Unrecorded maker

ca. 1550–1300 BCE · Faience

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ribbed Cylinder Bead

Unrecorded maker

ca. 1300–1080 BCE · Faience

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Necklace

Unrecorded maker

late 19th–early 20th century · Metal, glass, silk

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Evening ensemble

Yves Saint Laurent (d. 9999)

fall/winter 1972–73 · a,c) silk, plastic, metal, rhinestones; b) wool, silk; d) metal, rhinestones, faux pearl

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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