Female Figure of a Pair
Unrecorded maker
late 1800s–early 1900s · Sculpture, Wood, iron alloy, glass beads, plant fiber, and cloth
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
404 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 30 matching records exist across the two collections.
Results for "Bead with figure"12 records
Institutions answered newest-first by record, interleaved
Male Figure of a Pair
Unrecorded maker
late 1800s–early 1900s · Sculpture, Wood, iron alloy, copper alloy, and cloth
Cleared · CC0
liveCleveland Museum of ArtSimilar
Figure (Nkishi)
Unrecorded maker
late 1800s–early 1900s · Sculpture, Wood, organic materials (including resin and soil), plant fiber, and glass beads
Cleared · CC0
liveCleveland Museum of ArtSimilar
Figure (kgöngwana-tshingwana/Ngwana sehô)
Unrecorded maker
1800s–1900s · Sculpture, Wood, glass beads, cloth, thread, and copper alloy
Cleared · CC0
liveCleveland Museum of ArtSimilar
Commemorative figure (lefem)
Ateu Atsa (d. 1910)
mid-1800s–1910 · Sculpture, wood
Cleared · CC0
liveCleveland Museum of ArtSimilar
Male Figure (nkishi)
Unrecorded maker
late 1800s–early 1900s · Sculpture, Wood, glass beads, brass (including upholstery studs), copper alloy, iron alloy, raffia, reedbuck antelope horn, rawhide, animal hair, human teeth, organic material, minerals, and plant fibers
Cleared · CC0
liveCleveland Museum of ArtSimilar
Pair of Figures
Unrecorded maker
late 1800s–early 1900s · Sculpture, Wood, iron alloy, copper alloy, glass beads, plant fiber, and cloth
Cleared · CC0
liveCleveland Museum of ArtSimilar
Female Figure
Unrecorded maker
late 1800s–early 1900s · Sculpture, Wood, paint, glass beads, and natural fiber
Cleared · CC0
liveCleveland Museum of ArtSimilar
Male Figure (Nkisi)
Unrecorded maker
late 1800s-early 1900s · Sculpture, Wood, cloth, resin, organic material, feathers, natural fibers, antelope horn, seashells (including cowrie shells), glass beads, metalized glass, and plant fiber
Cleared · CC0
liveCleveland Museum of ArtSimilar
Mother-and-Child Figure
Unrecorded maker
late 1800s–early 1900s · Sculpture, Wood, glass beads, upholstery studs, natural fiber, and pigment
Cleared · CC0
liveCleveland Museum of ArtSimilar
Shrine Figure for Sàngó
Unrecorded maker
c. 1910 · Sculpture, Wood, probably bluing, and organic material
Cleared · CC0
liveCleveland Museum of ArtSimilar
Female Figure, Probably a Nature Divinity (Yakshi)
Unrecorded maker
c. 75 BCE · Sculpture, terracotta
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.