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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    503 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    257 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 21 matching records exist across the two collections.

Results for "Beaufort House, Chelsea"12 records

Institutions answered newest-first by record, interleaved

Collar composed of the Letters “S” and “M” by an unrecorded maker, The Metropolitan Museum of Art

Collar composed of the Letters “S” and “M”

Unrecorded maker

15th century · Silver, partially gilded

Cleared · Public Domain

live
The MetSimilar
Beaufort House, Chelsea by Johannes Kip, The Cleveland Museum of Art

Beaufort House, Chelsea

Johannes Kip (d. 1722)

1707–9 · Print, etching and engraving, hand colored

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Portrait of a Horseman by James Seymour, The Metropolitan Museum of Art

Portrait of a Horseman

James Seymour (d. 1752)

1748 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Standing shelf (one of a pair) by William Linnell, The Metropolitan Museum of Art

Standing shelf (one of a pair)

William Linnell (d. 1763)

ca. 1753–54 · Lacquered and painted pine, mahogany and British walnut

Cleared · Public Domain

live
The MetSimilar
Standing shelf (one of a pair) by William Linnell, The Metropolitan Museum of Art

Standing shelf (one of a pair)

William Linnell (d. 1763)

ca. 1753–54 · Lacquered and painted pine, mahoogany and British walnut

Cleared · Public Domain

live
The MetSimilar
The Alcove, Isleworth, part XIII, plate 63 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

The Alcove, Isleworth, part XIII, plate 63 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

January 1, 1819 · Etching and mezzotint; second state of four (Finberg)

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Don Saltero's Coffee House, Cheyne Walk, Chelsea

Anonymous, British, 19th century (d. 1900)

ca. 1800 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A New Farce in High Life: Principle Characters–The Duke, by Mr. St. Albans, The Duchess by Miss Melon, The Dandy Barber by Mr. Frisby, The Dukes Mistress by Fanny Wagtail; Between the Acts, Mr. St. Alban will dance the Highgate Hornpipe

Isaac Robert Cruikshank (d. 1856)

June 1827 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Whistler's House, Old Chelsea

Sir Francis Seymour Haden (d. 1910)

1863 · Etching and drypoint; second state of two (Harrington); seventh state of seven (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Whistler's House, Old Chelsea

Sir Francis Seymour Haden (d. 1910)

1863 · Etching and drypoint; second state of two (Harrington); seventh state of seven (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bank Holiday, Corner of Beaufort Street, Chelsea

Théodore Roussel (d. 1926)

1888–89 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The House Where Whistler Died

Joseph Pennell (d. 1926)

1904 · Etching; third state

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.