
Vase with a handle in the form of a human-headed bull protome
Unrecorded maker
ca. 8th–7th century BCE · Faience
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
588 ms. The Metropolitan Museum of Art, Collection API (Open Access)
385 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,264 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Vase with a handle in the form of a human-headed bull protome
Unrecorded maker
ca. 8th–7th century BCE · Faience
Cleared · Public Domain
live
Dish with Carved Floral Design
Unrecorded maker
1100s–1200s · Ceramic, Porcelain with pale bluish-white (qingbai) glaze
Cleared · CC0
live
Beauty by the Shore
Kubo Shunman (d. 1820)
late 18th century · Hanging scroll; ink and color on paper
Cleared · Public Domain
live
Bowl with Carved Design
Unrecorded maker
1100s–1200s · Ceramic, Porcelain with pale bluish-white (qingbai) glaze
Cleared · CC0
live
Belt with Assyrian-inspired decoration
Unrecorded maker
ca. 1850–1900 · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Languid, or Delicate Beauty (Beauté Languissante), from "Principles of Beauty Relative to the Human Head"
Alexander Cozens (d. 1786)
April 10, 1777 · Engraving and etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Sensible, or Wise Beauty (Beauté Spirituelle), from "Principles of Beauty Relative to the Human Head"
Alexander Cozens (d. 1786)
April 10, 1777 · Engraving and etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Complete Coiffeur, or, An Essay on the Art of Adorning Natural, and of Creating Artificial, Beauty
J. B. M. D. Lafoy (d. 1850)
1817 · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Beauty or the Art of Human Decoration
London Toilet Bazar (d. 1900)
1887 · Illustrations: wood engravings, lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Iginga (human bust) (?)
Lega artist
19th–first half of 20th century · Ivory, fiber, cowrie shells, resin
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Iginga (human bust) (?)
Lega artist
19th–first half of 20th century · Ivory, cowrie shells
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Iginga (human figure)
Lega artist
19th–first half of 20th century · Ivory
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.