The Beech Tree of the Madonna at La Verna
Jacopo Ligozzi (d. 1627)
1605–7 · Pen and brown ink, brush and brown wash and with traces of gray wash, over black chalk
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
260 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
460 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 20 matching records exist across the two collections.
Results for "Beech Tree"12 records
Institutions answered newest-first by record, interleaved
Low Waterfall in a Wooded Landscape with a Dead Beech Tree
Jacob van Ruisdael (d. 1682)
c. 1660–70 · Painting, oil on canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
Descrizione del Sacro Monte della Vernia (Description of the Sacred Mount Alverno)
Domenico Falcini (d. 1628)
1612 · Engraving
Cleared · Public Domain
liveThe MetSimilar
The Great Beech
Jacob van Ruisdael (d. 1682)
1650–82 · Etching; second state of three
Cleared · Public Domain
liveThe MetSimilar
A mother and children resting beneath a large beech tree, deer grazing beyond, possibly in Norbury Park, Surrey
George Barret, the elder (d. 1784)
1776 · Graphite and gouache (bodycolor) with gum arabic
Cleared · Public Domain
liveThe MetSimilar
A landscape with an old oak (or beech) tree
Joseph Mallord William Turner (d. 1851)
ca. 1796 · Watercolor over graphite
Cleared · Public Domain
liveThe MetSimilar
A Forest with Two Men Conversing
Jacobus Pelgrom (d. 1861)
1842 · Pen and black ink over black chalk, brush and brown and gray wash
Cleared · Public Domain
liveThe MetSimilar
Deer under Beech Trees in Summer
Hendrik Gerrit ten Cate (d. 1856)
1853 · Watercolor, black chalk; framing lines in graphite
Cleared · Public Domain
liveThe MetSimilar
![[The Large Tree at La Verrerie, Romesnil] by Louis-Rémy Robert, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP262090.jpg)
[The Large Tree at La Verrerie, Romesnil]
Louis-Rémy Robert (d. 1882)
ca. 1852 · Salted paper print from paper negative
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Beech Trees in the English Garden, Munich
Johann Georg von Dillis (d. 1841)
ca. 1810 · Oil on paper, laid down on cardboard
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Beech Tree
Achille-Etna Michallon (d. 1822)
by 1817 · Oil on canvas
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Beech Tree
Thomas Eakins (d. 1916)
1881 · Albumen silver print
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.