Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    351 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    284 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "Before the Duke's Palace–Rosalind, Celia"7 records

Institutions answered newest-first by record, interleaved

Mother ape by Camillo Mariani, The Metropolitan Museum of Art

Mother ape

Camillo Mariani (d. 1611)

1595–96 · Bronze

Cleared · Public Domain

live
The MetSimilar
Inscriptions on the Stone Drums (Eastern Zhou dynasty, 5th century BCE) by Unidentified artist, The Metropolitan Museum of Art

Inscriptions on the Stone Drums (Eastern Zhou dynasty, 5th century BCE)

Unidentified artist

17th century · Set of rubbings in ten sections mounted as a pair of handscrolls; ink on paper

Cleared · Public Domain

live
The MetSimilar
Vase (vase à tête d'éléphant) (one of a pair) by Jean-Claude Duplessis, The Metropolitan Museum of Art

Vase (vase à tête d'éléphant) (one of a pair)

Jean-Claude Duplessis (d. 1774)

ca. 1758 · Soft-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar
Center table by Imperial Armory, Tula (south of Moscow), Russia, The Metropolitan Museum of Art

Center table

Imperial Armory, Tula (south of Moscow), Russia

ca. 1780–85 · Steel, silver, gilt copper, gilt brass, basswood; replaced mirror glass

Cleared · Public Domain

live
The MetSimilar
Rosalind, Celia & Touchstone (Shakespeare, As You Like It, Act 2, Scene 2) by John Chapman, The Metropolitan Museum of Art

Rosalind, Celia & Touchstone (Shakespeare, As You Like It, Act 2, Scene 2)

John Chapman (d. 1823)

June 1, 1792 · Stipple engraving and etching

Cleared · Public Domain

live
The MetSimilar
Bookstand by Charles-Auguste Questel, The Metropolitan Museum of Art

Bookstand

Charles-Auguste Questel (d. 1888)

1839 · Ebony, ebony veneer, ebonized maple, oak, maple, rosewood, snakewood, ivory, mother-of-pearl; brass hardware and mounts; lined with silk velvet not original to the piece

Cleared · Public Domain

live
The MetSimilar
Before the Duke's Palace–Rosalind, Celia, Orlando, the Duke & Attendants (Shakespeare, As You Like It, Act 1, Scene 2) by William Satchwell Leney, The Metropolitan Museum of Art

Before the Duke's Palace–Rosalind, Celia, Orlando, the Duke & Attendants (Shakespeare, As You Like It, Act 1, Scene 2)

William Satchwell Leney (d. 1831)

first published 1800; reissued 1852 · Stipple engraving

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.