Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
370 ms. The Metropolitan Museum of Art, Collection API (Open Access)
362 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 83 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
La Mendiante aux Béquilles (The Female Beggar with Crutches), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; first state of two (Lieure)
Cleared · Public Domain
live
Le Mendiant aux Béquilles et a la Besace (The Beggar with the Crutches and the Pouch), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; first state of two (Lieure)
Cleared · Public Domain
live
Die Bettler Zunfft (The Seven Beggars)
Wenceslaus Hollar (d. 1677)
1630 · Etching, only state
Cleared · Public Domain
live
Men and women beggars
Wenceslaus Hollar (d. 1677)
1630 · Etching, only state
Cleared · Public Domain
live
Reverse Copy of La Mendainte aux Béquilles (The Female Beggar with Crutches), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Anonymous
17th century · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Presentation of the Virgin in the Temple; at left a group of women standing at the base of a staircase across from a beggar with crutches; at center the Virgin ascending stairs towards a priest
Giovanni Antonio da Brescia (d. 1525)
ca. 1490–1525 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Mendiante aux Béquilles (The Female Beggar with Crutches), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; first state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Mendiante aux Béquilles (The Female Beggar with Crutches), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; first state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Mendiante aux Béquilles (The Female Beggar with Crutches), plate 16 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; second state of two (Lieure); possibly a re-strike by Israel Silvestre
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Mendiant aux Béquilles et a la Besace (The Beggar with the Crutches and the Pouch), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; first state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Mendiant aux Béquilles et a la Besace (The Beggar with the Crutches and the Pouch), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; first state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Beggar with Two Crutches, from "The Beggars"
Jan Georg (Joris) van Vliet (d. 1668)
1632 · Etching; second state of four
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.