Tabernacle door with the risen Christ
Pietro Paolo Nardi
mid-17th century · Bronze, fire-gilt; iron (lock mechanism)
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
439 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
317 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 128 matching records exist across the two collections.
Results for "Beggars at a Church Door at Rome, from ""12 records
Institutions answered newest-first by record, interleaved
Pope Gregory XVI Visiting the Church of San Benedetto at Subiaco
Jean-François Montessuy (d. 1876)
1843 · Oil on canvas
Cleared · Public Domain
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View at Amalfi, Bay of Salerno
George Loring Brown (d. 1889)
1857 · Oil on canvas
Cleared · Public Domain
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Beggars at a Church Door at Rome, from "Illustrated London News"
William Luson Thomas (d. 1900)
April 9, 1859 · Wood engraving
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Church Door (Porte d'Eglise), from Book of Portes Cocheres and Church Doors (Livre de Porte Cochere, et Porte d'Église...), Plate 4
G. Feuillet (d. 1675)
ca. 1675 · Engraving
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Church Portico at Left and a Mansion Entrance at Right, from Portes Cocheres et d'Eglises, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Designs for Iron Fences at Left and a Church Portico at Right, from Portes Cocheres et d'Eglises, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vuë des Interieur de l'Eglise de Ste Constance hors des murs, from Les Plus Beaux Edifices de Rome Moderne, ou Recueil des plus belles vues des principales eglises, places, palais, fontaines etc. qui sont dans Rome
Freicenet
1763 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Abbeville: La Porte Latérale à Gauche de l'Eglise de Saint-Wulfran (Abbeville: Left Side Door of the Church of St. Wulfran)
Richard Parkes Bonington (d. 1828)
1824 · Lithograph on chine collé
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rainy Night in Rome
Sir Muirhead Bone (d. 1953)
1913 · Drypoint; printed with plate tone
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rainy Night in Rome
Sir Muirhead Bone (d. 1953)
1913 · Drypoint; printed with plate tone
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Trevi Fountain, Rome
Sir Muirhead Bone (d. 1953)
1913–28 · Drypoint; fourteenth state of nineteen
In copyright
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