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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    483 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    596 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 38 matching records exist across the two collections.

Results for "Beggars at the Gate of a Temple, Canton"12 records

Institutions answered newest-first by record, interleaved

Procession from the Temple of Amun by Charles K. Wilkinson, The Metropolitan Museum of Art

Procession from the Temple of Amun

Charles K. Wilkinson (d. 1986)

1923–1924; original ca. 1290–1224 BCE · Tempera on paper

Cleared · Public Domain

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The MetSimilar
The Temple of Dendur by an unrecorded maker, The Metropolitan Museum of Art

The Temple of Dendur

Unrecorded maker

completed by 10 CE · Aeolian sandstone

Cleared · Public Domain

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The MetSimilar
Presentation of the Virgin in the Temple (below), Abraham about to Sacrifice Isaac (above) by Perino del Vaga (Pietro Buonaccorsi), The Metropolitan Museum of Art

Presentation of the Virgin in the Temple (below), Abraham about to Sacrifice Isaac (above)

Perino del Vaga (Pietro Buonaccorsi) (d. 1547)

1520 · Pen and brown ink, brush and brown wash, highlighted with white gouache, squared in black chalk, on brownish paper. The empty triangular corners are tinted in gray-green wash, the right diagonal border tinted in gray wash

Cleared · Public Domain

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The MetSimilar
Recto: Temple Types: in Antis and Prostyle (Vitruvius, Book 3, Chapter 2, nos. 2, 3); Verso: Temple Types: Peripteral (Vitruvius, Book 3, Chapter 2, no. 5). by Sangallo family, The Metropolitan Museum of Art

Recto: Temple Types: in Antis and Prostyle (Vitruvius, Book 3, Chapter 2, nos. 2, 3); Verso: Temple Types: Peripteral (Vitruvius, Book 3, Chapter 2, no. 5).

Sangallo family (d. 1545)

1530–45 · Pen and dark brown ink

Cleared · Public Domain

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The MetSimilar
Saint Peter and Saint John Healing a Cripple at the Gate of the Temple by Perino del Vaga (Pietro Buonaccorsi), The Metropolitan Museum of Art

Saint Peter and Saint John Healing a Cripple at the Gate of the Temple

Perino del Vaga (Pietro Buonaccorsi) (d. 1547)

1534–47 · Pen and brown ink, over black chalk (recto); pen and brown sketch of a right hand at upper left, and circle in red chalk at lower right (verso)

Cleared · Public Domain

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The MetSimilar
Saints Peter and John Healing a Cripple at the Gate of the Temple by Perino del Vaga (Pietro Buonaccorsi), The Metropolitan Museum of Art

Saints Peter and John Healing a Cripple at the Gate of the Temple

Perino del Vaga (Pietro Buonaccorsi) (d. 1547)

1501–47 · Pen and brown ink, brush and brown wash, highlighted with white gouache, on brownish paper

Cleared · Public Domain

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The MetSimilar
Classical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Temple by Bartholomeus Spranger, The Metropolitan Museum of Art

Classical Battle Scene; Verso: Peter and John Heal a Cripple at the Gate of the Temple

Bartholomeus Spranger (d. 1611)

ca. 1590 · Pen and brown ink, brush and brown wash, heightened with white, over red chalk on blue paper. Partially visible framing lines in pen and brown ink on left and bottom edges

Cleared · Public Domain

live
The MetSimilar
The Torii Gate of Gion Shrine by an unrecorded maker, The Metropolitan Museum of Art

The Torii Gate of Gion Shrine

Unrecorded maker

early 17th century · Sliding doors (fusama) remounted as a two-panel folding screen; ink, color, and gold on paper

Cleared · Public Domain

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The MetSimilar
Porte du Temple de Jupiter, à Baalbek (Héliopolis) by Maxime Du Camp, The Metropolitan Museum of Art

Porte du Temple de Jupiter, à Baalbek (Héliopolis)

Maxime Du Camp (d. 1894)

September 1850 · Salted paper print from paper negative

Cleared · Public Domain

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The MetSimilar
Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo" by Utagawa Hiroshige, The Metropolitan Museum of Art

Kinryūsan Temple at Asakusa, from the series "One Hundred Famous Views of Edo"

Utagawa Hiroshige (d. 1858)

1856 · Woodblock print; ink and color on paper

Cleared · Public Domain

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The MetSimilar
Beggars at the Gate of a Temple, Canton by John Thomson, The Metropolitan Museum of Art

Beggars at the Gate of a Temple, Canton

John Thomson (d. 1921)

ca. 1869 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Gate to the Temple of Luxor

Antoine-Xavier-Gabriel de Gazeau, comte de La Bouëre (d. 1881)

1836 · Oil on paper, laid down on canvas

In copyright

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The MetSimilar

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