Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    392 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    241 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 3,601 matching records exist across the two collections.

Results for "Behind the Arras"12 records

Institutions answered newest-first by record, interleaved

Plan and view of the city of Arras by Stefano della Bella, The Metropolitan Museum of Art

Plan and view of the city of Arras

Stefano della Bella (d. 1664)

1641 · Etching

Cleared · Public Domain

live
The MetSimilar
John the Apostle, for the church of St. Vaast in Arras by Alexandre Denis Abel de Pujol, The Metropolitan Museum of Art

John the Apostle, for the church of St. Vaast in Arras

Alexandre Denis Abel de Pujol (d. 1861)

1832 · Graphite on tan paper

Cleared · Public Domain

live
The MetSimilar
St. Thomas the Apostle, for the Church of St. Vaast in Arras by Alexandre Denis Abel de Pujol, The Metropolitan Museum of Art

St. Thomas the Apostle, for the Church of St. Vaast in Arras

Alexandre Denis Abel de Pujol (d. 1861)

1832 · Graphite on beige paper

Cleared · Public Domain

live
The MetSimilar
[Landscape, Arras] by Adalbert Cuvelier, The Metropolitan Museum of Art

[Landscape, Arras]

Adalbert Cuvelier (d. 1871)

1852 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
The Belfry of St.-Nicolas-les-Arras by Camille Corot, The Metropolitan Museum of Art

The Belfry of St.-Nicolas-les-Arras

Camille Corot (d. 1875)

1871–72 · Lithograph; second state of two

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Behind the Arras

Ethel Reed (d. 1900)

1895 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Behind the Arras by Bliss Carman

Ethel Reed (d. 1900)

1895 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wartime Street in Arras

Christopher Richard Wynne Nevinson (d. 1946)

1917 · Graphite and crayon

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Survivors at Arras

Christopher Richard Wynne Nevinson (d. 1946)

1918 · Drypoint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Road from Arras to Bapaume

Christopher Richard Wynne Nevinson (d. 1946)

1918 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Road from Arras to Bapaume

Christopher Richard Wynne Nevinson (d. 1946)

1918 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two Soldiers at Arras

John Singer Sargent (d. 1925)

1918 · Watercolor and graphite on paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.