
Scenes from the Life of the Virgin
Unrecorded maker
ca. 1500 · Linen warp; wool, linen, silk, silver, and gilt wefts; wool pile yarns
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
565 ms. The Metropolitan Museum of Art, Collection API (Open Access)
49 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 18,701 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Scenes from the Life of the Virgin
Unrecorded maker
ca. 1500 · Linen warp; wool, linen, silk, silver, and gilt wefts; wool pile yarns
Cleared · Public Domain
live
Scenes from the Life of the Virgin
Unrecorded maker
ca. 1490–1510 · Wool warp, wool, silk, and metallic wefts
Cleared · Public Domain
live
Four Scenes from the Passion
Bernard van Orley (d. 1542)
1520 · Oil on wood
Cleared · Public Domain
live
The Drowning of Britomartis from Scenes from the Story of Diana
Jean Cousin the Elder (d. 1565)
1547–59 · Wool, silk (16-18 warps per inch, 7-8 per cm.)
Cleared · Public Domain
live
A wild-haired, robed woman rushing to the right, seen from behind
Cornelis Saftleven (d. 1681)
1631 · Black chalk, with touches of oiled black chalk
Cleared · Public Domain
live
Four Scenes from the Old Testament
Paul Decker the Younger (d. 1742)
early 18th century · Red chalk
Cleared · Public Domain
live
Sawamura Tosshō II (1838–86), from the series Mirror of Photographs Backstage (Shashin gakuya kagami - Sawamura Tosshō nisei)
Toyohara Kunichika (d. 1900)
ca. 1859–61 · Woodblock print; ink and color on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dans les coulisses
Robert Demachy (d. 1936)
ca. 1897 · Gum bichromate print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Behind the Scenes (Backstage), from the portfolio ¦The Fair¦
Max Beckmann (d. 1950)
1921, published 1922 · Drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Man Behind the Guns that Make the First Line of Defence from World War I Leaders, Scenes, Insignia cards (W545)
Unrecorded maker
1920s · Commercial color photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Family, viewed from behind
Francisco Díaz de León (d. 1975)
1931 · Etching, aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Behind the Scenes
Douglas Gorsline (d. 1985)
1954 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.