Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    340 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    303 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 27 matching records exist across the two collections.

Results for "Belles and Beaus, or a Scene in Hyde Par"12 records

Institutions answered newest-first by record, interleaved

Allegory of America by Jan van der Straet, called Stradanus, The Metropolitan Museum of Art

Allegory of America

Jan van der Straet, called Stradanus (d. 1605)

ca. 1587–89 · Pen and brown ink, brown wash, heightened with white, over black chalk. Incised

Cleared · Public Domain

live
The MetSimilar
Inuit Manner of Dress by Jean-Baptiste Le Prince, The Metropolitan Museum of Art

Inuit Manner of Dress

Jean-Baptiste Le Prince (d. 1781)

1769 · Pen and black ink, brush and gray wash, over black chalk, with additions in graphite

Cleared · Public Domain

live
The MetSimilar
Itelmen Preparing Fish to be Dried by Jean-Baptiste Le Prince, The Metropolitan Museum of Art

Itelmen Preparing Fish to be Dried

Jean-Baptiste Le Prince (d. 1781)

1769 · Pen and black ink, brush and gray wash, over black chalk

Cleared · Public Domain

live
The MetSimilar
Commode à vantaux by David Roentgen, The Metropolitan Museum of Art

Commode à vantaux

David Roentgen (d. 1807)

ca. 1775–79 with later alterations · Oak, pine, walnut, mahogany, and cherry veneered with hornbeam (partially stained), tulipwood, walnut, holly and maple (both partially stained), boxwood, mahogany, and other woods; red brocatelle marble; gilt bronze; iron, steel, and brass

Cleared · Public Domain

live
The MetSimilar
Sampler by Laura Hyde, The Metropolitan Museum of Art

Sampler

Laura Hyde (d. 1857)

1800 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
A Change in the Petticoats, or the Years 1780 &1817 by William Heath ('Paul Pry'), The Metropolitan Museum of Art

A Change in the Petticoats, or the Years 1780 &1817

William Heath ('Paul Pry') (d. 1840)

1817 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of an excavation, with an arch at center, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vue de l'Eglise de Saint Paul hors des Murs bâtie par Constantin le Grand from Les Plus Beaux Edifices de Rome Moderne, ou Recueil des plus belles vues des principales eglises, places, palais, fontaines etc. qui sont dans Rome

Freicenet

1763 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Recueil de Paysages par Sandby

Paul Sandby (d. 1809)

1750–65 (or later) · Etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vase

Wedgwood and Co.

ca. 1780 · Black basalt

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Merveilleuse: Chapeau de paille d’Italie, Par-dessus à la Chinoise

Horace Vernet (d. 1863)

1814 · Hand colored engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Belles and Beaus, or a Scene in Hyde Park

William Heath ('Paul Pry') (d. 1840)

August 12, 1817 · Hand-colored etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.