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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    256 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    443 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,299 matching records exist across the two collections.

Results for "Bench Figure"12 records

Institutions answered newest-first by record, interleaved

Figure seated on a bench by Olmec artist(s), The Metropolitan Museum of Art

Figure seated on a bench

Olmec artist(s)

1000–400 BCE · Serpentine

Cleared · Public Domain

live
The MetSimilar
Icon of the New Testament Trinity by an unrecorded maker, The Cleveland Museum of Art

Icon of the New Testament Trinity

Unrecorded maker

c. 1450 · Painting, Tempera and gold on wood panel (poplar)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bench Figure by an unrecorded maker, The Metropolitan Museum of Art

Bench Figure

Unrecorded maker

5th–2nd century BCE · Greenstone (muscovite-paragonite phyllite)

Cleared · Public Domain

live
The MetSimilar
Night, from On Death, Part I, Opus XI (Nacht, Vom Tode, Erster Teil, Opus XI) by Max Klinger, The Cleveland Museum of Art

Night, from On Death, Part I, Opus XI (Nacht, Vom Tode, Erster Teil, Opus XI)

Max Klinger (d. 1920)

1889 · Print, etching and aquatint

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bench figure by Tolita-Tumaco artist(s), The Metropolitan Museum of Art

Bench figure

Tolita-Tumaco artist(s)

500 BCE–300 CE · Ceramic, gold, post-fire paint

Cleared · Public Domain

live
The MetSimilar
On Death, Part I by Max Klinger, The Cleveland Museum of Art

On Death, Part I

Max Klinger (d. 1920)

1889 · Print, etching and aquatint

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Two Ceramic Figures Seated on a Bench by an unrecorded maker, The Metropolitan Museum of Art

Two Ceramic Figures Seated on a Bench

Unrecorded maker

6th–9th century · Ceramic

Cleared · Public Domain

live
The MetSimilar
Adoration of the Magi by Giulio della Torre, The Cleveland Museum of Art

Adoration of the Magi

Giulio della Torre (d. 1563)

c. 1500–1525 · Sculpture, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Coca chewer on bench by Capulí artist(s), The Metropolitan Museum of Art

Coca chewer on bench

Capulí artist(s)

800–1500 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Adam and Eve by Peter Vischer, The Cleveland Museum of Art

Adam and Eve

Peter Vischer (d. 1528)

c. 1520 · Sculpture, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Theological Virtues: Faith, Charity, Hope by Italian (Umbrian) Painter, The Metropolitan Museum of Art

The Theological Virtues: Faith, Charity, Hope

Italian (Umbrian) Painter

1505 · Tempera and gold on wood

Cleared · Public Domain

live
The MetSimilar
Pierrot in Criminal Court by Thomas Couture, The Cleveland Museum of Art

Pierrot in Criminal Court

Thomas Couture (d. 1879)

c. 1864–70 · Painting, oil on wood panel

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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