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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    187 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    337 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Benjamin Rush"12 records

Institutions answered newest-first by record, interleaved

Triton by Giambologna, The Metropolitan Museum of Art

Triton

Giambologna (d. 1608)

1590s · Bronze

Cleared · Public Domain

live
The MetSimilar
Openwork fruit basket by American China Manufactory, The Metropolitan Museum of Art

Openwork fruit basket

American China Manufactory (d. 1772)

ca. 1770–72 · Soft-paste porcelain with underglaze blue decoration

Cleared · Public Domain

live
The MetSimilar
Benjamin Rush M.D. L.L.D. by William Satchwell Leney, The Metropolitan Museum of Art

Benjamin Rush M.D. L.L.D.

William Satchwell Leney (d. 1831)

1814 · Stipple engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Benjamin Rush

Edward Savage (d. 1817)

1800 · Mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Benjamin Rush

Charles Balthazar Julien Févret de Saint-Mémin (d. 1852)

1802 · Engraving with mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Benjamin Rush, M.D.

David Edwin (d. 1841)

1813 · Stipple engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dr. Benjamin Rush

Anonymous, American, 19th century (d. 1900)

1800–30 · Mezzotint, hand-colored

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Benjamin Rush, M.D.

Richard W. Dodson (d. 1867)

1837 · Engraving and etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Benjamin Rush

James Barton Longacre (d. 1869)

1835–40 · Stipple and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The World of Science, Art and Industry Illustrated from Examples in the New York Exhibition, 1853–54

Benjamin Silliman, Jr. (d. 1885)

1854 · Illustrations: wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The World of Science, Art, and Industry Illustrated from Examples in the New York Exhibition, 1853-54

Unknown

1850s · Albumen silver prints

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

William Biscombe Gardner (d. 1919)

1876–80 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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