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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    298 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    274 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 509 matching records exist across the two collections.

Results for "Bermuda No. 1, Tree and House"12 records

Institutions answered newest-first by record, interleaved

House for William C. Rhinelander, No. 1 Fifth Avenue, New York (front elevation and partial section, project) by Alexander Jackson Davis, The Metropolitan Museum of Art

House for William C. Rhinelander, No. 1 Fifth Avenue, New York (front elevation and partial section, project)

Alexander Jackson Davis (d. 1892)

1836 · Watercolor, pen and black ink over graphite

Cleared · Public Domain

live
The MetSimilar
The Lovers' Walk, No. 1 by Sir Francis Seymour Haden, The Metropolitan Museum of Art

The Lovers' Walk, No. 1

Sir Francis Seymour Haden (d. 1910)

1864 · Etching and drypoint; trial proof a (Harrington); third state of five (Schneiderman)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hunting Scenes, No. 1: Bear Hunting

Etienne Delaune (d. 1583)

before 1556 · Engraving: between second and third states

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Maiden Lane from No. 1 to No. 65

Tallis & Co. (d. 1863)

1854 · Steel engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Windmill Hill, No. 1

Sir Francis Seymour Haden (d. 1910)

1877 · Drypoint; first state of two (Harrington); fourth state of five (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Encombe Woods, No. 1

Sir Francis Seymour Haden (d. 1910)

1881 · Etching with graphite (counterproof); second state of four (Schneiderman); trial proof b (Harrington)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Encombe Woods, No. 1

Sir Francis Seymour Haden (d. 1910)

1881 · Etching with graphite; cancelled plate (Harrington); fourth state of four (fragment, cancelled plate) (Schneiderman)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Margot Wearing a Bonnet (No. 1)

Mary Cassatt (d. 1926)

1902 · Drypoint with plate tone; only state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bermuda No. 1, Tree and House

Charles Demuth (d. 1935)

1917 · Watercolor and graphite with cut paper on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fish Series, No. 1

Charles Demuth (d. 1935)

1917 · Watercolor and graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Music – A Sequence of Ten Cloud Photographs, No. 1

Alfred Stieglitz (d. 1946)

1922 · Platinum print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Artist's Life, no. 1

Hughie Lee-Smith (d. 1999)

1939 · Lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.