
Spinario (boy pulling a thorn from his foot)
Unrecorded maker
first half of the 16th century? · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
262 ms. The Metropolitan Museum of Art, Collection API (Open Access)
400 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 138 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Spinario (boy pulling a thorn from his foot)
Unrecorded maker
first half of the 16th century? · Bronze
Cleared · Public Domain
live
A Lapland Hut (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, vol. II, pl. 38)
William Hogarth (d. 1764)
1723–24 · Etching and engraving
Cleared · Public Domain
live
Stand
Mennecy
1760–65 · Soft-paste porcelain decorated in polychrome enamels
Cleared · Public Domain
live
The Hudson River Portfolio
William Guy Wall (d. 1864)
1821–25 · Aquatint printed in color with hand-coloring; first and second states
Cleared · Public Domain
live
Hara, Number 14, from the series Fifty-Three Stations of the Tōkaidō Road (Tōkaidō gojūsan tsugi), also known as the Clerical Script Tōkaidō (Reisho Tōkaidō)
Utagawa Hiroshige (d. 1858)
1847–52 · Woodblock print
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia
David Roberts (d. 1864)
1842–49 · Illustrated books
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dial, No. 3
Charles Haslewood Shannon (d. 1937)
1893 · Illustrations: woodcuts, lithographs, photomechanical process
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dark Mountain, No. 1
Marsden Hartley (d. 1943)
1909 · Oil on commercially prepared paperboard (academy board)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Suggestion for Window in Residence of Mr. L.D. Towle, Boston, Massachusetts"
Louis C. Tiffany (d. 1933)
1923 · Transparent and opaque watercolor, ink and graphite on paper mounted on paperboard with window mat
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Beyond Mountains, Number 1
Theodoros Stamos (d. 1997)
1950 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hor. #4 1/2
Jacqueline Humphries (d. 9999)
1997 · Oil on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Maze/Long Kesh Prison: Inertia Stage 13
Donovan Wylie (d. 9999)
2003 · Inkjet print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.