Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    679 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    324 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 14 matching records exist across the two collections.

Results for "Bifolium Excised from an Antiphonary: I"12 records

Institutions answered newest-first by record, interleaved

Bifolium with Initial C, from an Antiphonary by an unrecorded maker, The Metropolitan Museum of Art

Bifolium with Initial C, from an Antiphonary

Unrecorded maker

ca. 1320 · Tempera and ink on parchment

Cleared · Public Domain

live
The MetSimilar
Ascension in an Initial V by Niccolò di ser Sozzo, The Metropolitan Museum of Art

Ascension in an Initial V

Niccolò di ser Sozzo (d. 1363)

ca. 1342–50 · Tempera and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Bifolium from an Antiphonary by an unrecorded maker, The Metropolitan Museum of Art

Bifolium from an Antiphonary

Unrecorded maker

14th century (?) · Tempera, ink, and metal leaf on parchment

Cleared · Public Domain

live
The MetSimilar
Bifolium from an Antiphonary by an unrecorded maker, The Metropolitan Museum of Art

Bifolium from an Antiphonary

Unrecorded maker

14th century (?) · Tempera, ink, and metal leaf on parchment

Cleared · Public Domain

live
The MetSimilar
Bifolium with Initial L, from an Antiphonary by an unrecorded maker, The Metropolitan Museum of Art

Bifolium with Initial L, from an Antiphonary

Unrecorded maker

14th century (?) · Tempera, ink, and metal leaf on parchment

Cleared · Public Domain

live
The MetSimilar
Bifolium with Christ in Majesty in an Initial A, from an Antiphonary by an unrecorded maker, The Metropolitan Museum of Art

Bifolium with Christ in Majesty in an Initial A, from an Antiphonary

Unrecorded maker

ca. 1405 · Tempera, gold, and ink on parchment

Cleared · Public Domain

live
The MetSimilar
Last Judgment in an Initial C by Lorenzo Monaco (Piero di Giovanni), The Metropolitan Museum of Art

Last Judgment in an Initial C

Lorenzo Monaco (Piero di Giovanni) (d. 1425)

ca. 1406–7 · Tempera and gold on parchment

Cleared · Public Domain

live
The MetSimilar
All Saints in an Initial E or O by Osservanza Master, The Metropolitan Museum of Art

All Saints in an Initial E or O

Osservanza Master (d. 1450)

ca. 1430–40 · Tempera and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Illumination with All Saints in an Initial V, from an Antiphonary by Cosmè Tura (Cosimo di Domenico di Bonaventura), The Metropolitan Museum of Art

Manuscript Illumination with All Saints in an Initial V, from an Antiphonary

Cosmè Tura (Cosimo di Domenico di Bonaventura) (d. 1495)

1450–60 · Tempera, ink, and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf with Initial I, from an Antiphonary by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf with Initial I, from an Antiphonary

Unrecorded maker

15th century · Tempera, ink, and metal leaf on parchment

Cleared · Public Domain

live
The MetSimilar
Elijah in the Fiery Chariot by Master of the Barbarigo Reliefs, The Metropolitan Museum of Art

Elijah in the Fiery Chariot

Master of the Barbarigo Reliefs (d. 1575)

ca. 1520 · Bronze, partially oil-gilt

Cleared · Public Domain

live
The MetSimilar
Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67 by Giuseppe Arcimboldo, The Metropolitan Museum of Art

Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67

Giuseppe Arcimboldo (d. 1593)

1564–65 · Pen and brown ink, brush with pale brown and purple wash, over soft black chalk (recto); pen and brown ink, some sketches over black chalk (verso)

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.