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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1519 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    327 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 115 matching records exist across the two collections.

Results for "Bifolium from an Antiphonary"12 records

Institutions answered newest-first by record, interleaved

Bifolium with the Decretals of Gratian by Master Honore, The Metropolitan Museum of Art

Bifolium with the Decretals of Gratian

Master Honore

ca. 1290 · Tempera and gold on parchment, brown ink; modern leather binding

Cleared · Public Domain

live
The MetSimilar
Bifolio from an Antiphonary: Historiated Initial O with the Nativity by an unrecorded maker, The Cleveland Museum of Art

Bifolio from an Antiphonary: Historiated Initial O with the Nativity

Unrecorded maker

early 1400s · Manuscript, ink, tempera, and gold on parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bifolium with Initial C, from an Antiphonary by an unrecorded maker, The Metropolitan Museum of Art

Bifolium with Initial C, from an Antiphonary

Unrecorded maker

ca. 1320 · Tempera and ink on parchment

Cleared · Public Domain

live
The MetSimilar
Bifolium Excised from a Carolingian Gradual by an unrecorded maker, The Cleveland Museum of Art

Bifolium Excised from a Carolingian Gradual

Unrecorded maker

c. 830–60 · Manuscript, gold and silver ink on purple parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bifolium from a Qur'an by an unrecorded maker, The Metropolitan Museum of Art

Bifolium from a Qur'an

Unrecorded maker

ca. 14th century · Ink, gold, and opaque watercolor on paper

Cleared · Public Domain

live
The MetSimilar
Bifolium from an Antiphonary: Music by Primo Miniatore di San Domenico, The Cleveland Museum of Art

Bifolium from an Antiphonary: Music

Primo Miniatore di San Domenico

c. 1320–40 · Manuscript, ink, tempera, and gold on parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bifolium from an Antiphonary by an unrecorded maker, The Metropolitan Museum of Art

Bifolium from an Antiphonary

Unrecorded maker

14th century (?) · Tempera, ink, and metal leaf on parchment

Cleared · Public Domain

live
The MetSimilar
Bifolium Excised from an Antiphonary:  Initial D[ominus Iesus] with the Calling of Peter and Andrew by an unrecorded maker, The Cleveland Museum of Art

Bifolium Excised from an Antiphonary: Initial D[ominus Iesus] with the Calling of Peter and Andrew

Unrecorded maker

c. 1425–1450 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bifolium from an Antiphonary by an unrecorded maker, The Metropolitan Museum of Art

Bifolium from an Antiphonary

Unrecorded maker

14th century (?) · Tempera, ink, and metal leaf on parchment

Cleared · Public Domain

live
The MetSimilar
Bifolium from an Antiphonary: Initial M with Saint Dominic Preaching by Primo Miniatore di San Domenico, The Cleveland Museum of Art

Bifolium from an Antiphonary: Initial M with Saint Dominic Preaching

Primo Miniatore di San Domenico

c. 1320–40 · Manuscript, ink, tempera, and gold on parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bifolium with Initial L, from an Antiphonary by an unrecorded maker, The Metropolitan Museum of Art

Bifolium with Initial L, from an Antiphonary

Unrecorded maker

14th century (?) · Tempera, ink, and metal leaf on parchment

Cleared · Public Domain

live
The MetSimilar
Bifolium Excised from a Carolingian Gradual (recto) by an unrecorded maker, The Cleveland Museum of Art

Bifolium Excised from a Carolingian Gradual (recto)

Unrecorded maker

c. 830–60 · Manuscript, gold and silver ink on purple parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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