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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    299 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    274 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 30 matching records exist across the two collections.

Results for "Bird among Camellias in Snow"12 records

Institutions answered newest-first by record, interleaved

Cabinet of Drawers with Birds, Flowers, and Court Carriage by an unrecorded maker, The Metropolitan Museum of Art

Cabinet of Drawers with Birds, Flowers, and Court Carriage

Unrecorded maker

late 16th century · Lacquered wood with gold and silver hiramaki-e and mother-of-pearl inlay

Cleared · Public Domain

live
The MetSimilar
Flowers and Grasses of the Four Seasons by Kano Mitsunobu, The Metropolitan Museum of Art

Flowers and Grasses of the Four Seasons

Kano Mitsunobu (d. 1608)

late 16th century · Pair of six-panel folding screens; ink, color, gold paint, and gold leaf on paper

Cleared · Public Domain

live
The MetSimilar
Square with Phoenixes by an unrecorded maker, The Metropolitan Museum of Art

Square with Phoenixes

Unrecorded maker

late 16th–early 17th century · Silk and metallic-thread embroidery on plain-weave silk

Cleared · Public Domain

live
The MetSimilar
Circular textile with two phoenixes by an unrecorded maker, The Metropolitan Museum of Art

Circular textile with two phoenixes

Unrecorded maker

16th–17th century · Silk and metal thread tapestry (kesi)

Cleared · Public Domain

live
The MetSimilar
Birds and Flowers of Autumn and Winter by Kano Chikanobu, The Metropolitan Museum of Art

Birds and Flowers of Autumn and Winter

Kano Chikanobu (d. 1728)

early 18th century · Six-panel folding screen; ink, gold, and color on silk

Cleared · Public Domain

live
The MetSimilar
Bird among Camellias in Snow by Sō Shiseki, The Metropolitan Museum of Art

Bird among Camellias in Snow

Sō Shiseki (d. 1786)

mid-18th century · Hanging scroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
Birds on a PlumTree by Gan Ku, The Metropolitan Museum of Art

Birds on a PlumTree

Gan Ku (d. 1838)

late 1770s–early 1780s · Hanging scroll; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
Camellias with a Bird by Kuwagata Keisai, The Metropolitan Museum of Art

Camellias with a Bird

Kuwagata Keisai (d. 1824)

1789 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Table Valance with Winter Garden by an unrecorded maker, The Metropolitan Museum of Art

Table Valance with Winter Garden

Unrecorded maker

18th century · Silk, metal thread, and feather tapestry (kesi)

Cleared · Public Domain

live
The MetSimilar
Sparrow and Snow-covered Camellia (Tsubaki) by Utagawa Hiroshige, The Metropolitan Museum of Art

Sparrow and Snow-covered Camellia (Tsubaki)

Utagawa Hiroshige (d. 1858)

ca. 1845 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Chickadee from Eggers Bird Booklets (W607)

Unrecorded maker

1941 · Commercial color photolithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Camellia and Butterflies

Guo Weiqu (d. 1971)

undated · Hanging scroll; ink and color on paper

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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