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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    342 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Bird with floral motif"12 records

Institutions answered newest-first by record, interleaved

Panel with Panthers, Birds, and Floral Motifs by an unrecorded maker, The Cleveland Museum of Art

Panel with Panthers, Birds, and Floral Motifs

Unrecorded maker

1700s–1800s · Lace, Bleached linen (est.): needle lace, filet/lacis (knotted ground and darned in one and two directions)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bird-Headed Ewer by an unrecorded maker, The Cleveland Museum of Art

Bird-Headed Ewer

Unrecorded maker

600s–700s · Ceramic, green-glazed stoneware with modeled, molded, and applied decoration

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bowl with Flying Birds by an unrecorded maker, The Cleveland Museum of Art

Bowl with Flying Birds

Unrecorded maker

1280–1400 · Ceramic, Fritware with underglaze-painted design, Sultanabad ware

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Cloth with Unicorns, Dragons, Other Animals, and Floral Patterns by an unrecorded maker, The Cleveland Museum of Art

Cloth with Unicorns, Dragons, Other Animals, and Floral Patterns

Unrecorded maker

1800s · Lace, Bleached linen: needle lace, filet/lacis (knotted ground and darned in two directions) and alternating cutwork, embroidered squares, and bobbin lace edging

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Court Lady Pouring Wine (recto); Calligraphy of Lyrical Quatrains (verso) by an unrecorded maker, The Cleveland Museum of Art

Court Lady Pouring Wine (recto); Calligraphy of Lyrical Quatrains (verso)

Unrecorded maker

c. 1760; borders mid-1700s · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Court Lady Pouring Wine (recto) by Muhammad Rizavi Hindi, The Cleveland Museum of Art

Court Lady Pouring Wine (recto)

Muhammad Rizavi Hindi

c. 1760 · Painting, Gum tempera and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment with Birds and Floral Motif by an unrecorded maker, The Cleveland Museum of Art

Fragment with Birds and Floral Motif

Unrecorded maker

early 1600s · Textile, silk: damask

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment with Birds and Floral Motif by an unrecorded maker, The Cleveland Museum of Art

Fragment with Birds and Floral Motif

Unrecorded maker

1600s · Textile, silk: damask

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Office of the Dead: Two Devils (verso) by Coëtivy Master, The Cleveland Museum of Art

Leaf from a Book of Hours: Office of the Dead: Two Devils (verso)

Coëtivy Master

c. 1460 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment by an unrecorded maker, The Cleveland Museum of Art

Fragment

Unrecorded maker

1300s · Textile, Silk and gold thread; lampas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment by an unrecorded maker, The Cleveland Museum of Art

Fragment

Unrecorded maker

before 1975 · Textile, Silk: lampas weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Furnishing textile by Algerian Embroiderer, The Cleveland Museum of Art

Furnishing textile

Algerian Embroiderer

1800s · Embroidery, Linen, silk, dye

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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