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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    537 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    550 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 95 matching records exist across the two collections.

Results for "Bit Boss"12 records

Institutions answered newest-first by record, interleaved

Bit Boss by an unrecorded maker, The Metropolitan Museum of Art

Bit Boss

Unrecorded maker

first half 16th century · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Curb Bit by an unrecorded maker, The Cleveland Museum of Art

Curb Bit

Unrecorded maker

c. 1580–1600 · Arms and Armor, iron with gilt bronze bosses

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bit Boss by an unrecorded maker, The Metropolitan Museum of Art

Bit Boss

Unrecorded maker

late 16th–17th century · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Bit Boss by an unrecorded maker, The Metropolitan Museum of Art

Bit Boss

Unrecorded maker

late 16th–17th century · Copper alloy, gold, iron

Cleared · Public Domain

live
The MetSimilar
Bit Boss by an unrecorded maker, The Metropolitan Museum of Art

Bit Boss

Unrecorded maker

first half 17th century · Copper alloy, gold

Cleared · Public Domain

live
The MetSimilar
Bit Boss by an unrecorded maker, The Metropolitan Museum of Art

Bit Boss

Unrecorded maker

late 16th–first half 17th century · Copper alloy, gold

Cleared · Public Domain

live
The MetSimilar
Bit Boss by an unrecorded maker, The Metropolitan Museum of Art

Bit Boss

Unrecorded maker

second half 16th–early 17th century · Copper alloy, gold

Cleared · Public Domain

live
The MetSimilar
Bit Boss by an unrecorded maker, The Metropolitan Museum of Art

Bit Boss

Unrecorded maker

first half 17th century · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Bit Boss by an unrecorded maker, The Metropolitan Museum of Art

Bit Boss

Unrecorded maker

first half 17th century · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Bit Boss by an unrecorded maker, The Metropolitan Museum of Art

Bit Boss

Unrecorded maker

first half 17th century · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Bit Boss by an unrecorded maker, The Metropolitan Museum of Art

Bit Boss

Unrecorded maker

first half 17th century · Copper alloy, gold

Cleared · Public Domain

live
The MetSimilar
Bit Boss by an unrecorded maker, The Metropolitan Museum of Art

Bit Boss

Unrecorded maker

ca. 1670 · Copper alloy

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.