Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
532 ms. The Metropolitan Museum of Art, Collection API (Open Access)
695 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 995 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
In Black Country, from "L'Estampe Moderne"
Jules Gustave Besson (d. 1968)
1899 · Chromolithograph
In copyright
live
Study for "Country Cousins"
Richard Redgrave (d. 1888)
c. 1847–48 · Drawing, black, red, and white chalk
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Robes Modèles Historiques: Country Woman
Anonymous, French, 19th century (d. 1900)
19th century · Lithograph
In copyright
live
Picnic Party at Mr. Peliti's Country House, Mashobra
Raja Deen Dayal (d. 1905)
1887 · Photograph, albumen print
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Edge of Black Country
Alvin Langdon Coburn (d. 1966)
ca. 1909 · Photogravure
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Black Country
Edward Alexander Wadsworth (d. 1949)
1919 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Black Country
Edward Alexander Wadsworth (d. 1949)
1919 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Black Country
Edward Alexander Wadsworth (d. 1949)
1919 · Woodcut on coated orange paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Blast Furnaces 2
Edward Alexander Wadsworth (d. 1949)
1919 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Blast Furnaces I (Netherton Furnaces)
Edward Alexander Wadsworth (d. 1949)
1919 · Woodcut on gray paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Yorkshire
Edward Alexander Wadsworth (d. 1949)
1920 (dated 1921) · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The North Country
Willard Metcalf (d. 1925)
1923 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.