Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    410 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    314 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,757 matching records exist across the two collections.

Results for "Black Horseman in Front of a Doorway"12 records

Institutions answered newest-first by record, interleaved

Marble votive relief of a horseman by an unrecorded maker, The Metropolitan Museum of Art

Marble votive relief of a horseman

Unrecorded maker

4th–3rd century BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Black Horseman in Front of a Doorway by an unrecorded maker, The Cleveland Museum of Art

Black Horseman in Front of a Doorway

Unrecorded maker

c. 1855 · Photograph, salt print from wet collodion negative

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaping Horseman (Marcus Curtius) by Nicolò Boldrini, The Metropolitan Museum of Art

Leaping Horseman (Marcus Curtius)

Nicolò Boldrini (d. 1566)

ca. 1560–70 · Chiaroscuro woodcut from two blocks in brown

Cleared · Public Domain

live
The MetSimilar
A horseman, facing front, a group of horsemen in background to the right, from "Various cavalry exercises" (Diverses exercices de cavalerie) by Stefano della Bella, The Metropolitan Museum of Art

A horseman, facing front, a group of horsemen in background to the right, from "Various cavalry exercises" (Diverses exercices de cavalerie)

Stefano della Bella (d. 1664)

ca. 1642–45 · Etching

Cleared · Public Domain

live
The MetSimilar
Doorway from Chalkley Hall, Frankford, Pennsylvania by an unrecorded maker, The Metropolitan Museum of Art

Doorway from Chalkley Hall, Frankford, Pennsylvania

Unrecorded maker

ca. 1776 · Granite, wood, and iron

Cleared · Public Domain

live
The MetSimilar
Design for a Doorway with a Portico in the Classical Style by Anonymous, British, 18th century, The Metropolitan Museum of Art

Design for a Doorway with a Portico in the Classical Style

Anonymous, British, 18th century (d. 1800)

18th century · Pen and black ink, brush and gray, brown and green wash or watercolor

Cleared · Public Domain

live
The MetSimilar
The Doorway by James McNeill Whistler, The Metropolitan Museum of Art

The Doorway

James McNeill Whistler (d. 1903)

1879–80 · Etching, drypoint and roulette, printed in brownish-black ink on ivory laid paper; fourteenth state of twenty (Glasgow)

Cleared · Public Domain

live
The MetSimilar
Woman Standing in a Doorway by Constantin Guys, The Metropolitan Museum of Art

Woman Standing in a Doorway

Constantin Guys (d. 1892)

19th century · Pen and brown ink, brown and black wash, over traces of graphite

Cleared · Public Domain

live
The MetSimilar
Box with Portuguese Horseman by Ìgbèsànmwà (ivory- and wood- carving guild) artists, The Metropolitan Museum of Art

Box with Portuguese Horseman

Ìgbèsànmwà (ivory- and wood- carving guild) artists

19th century · Ivory

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A horseman, flanked by winged female centaurs

Etienne Delaune (d. 1583)

before 1573 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Front Plate of a Gorget (Neck Defense)

Unrecorded maker

ca. 1620–30 · Steel, silver, gold

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Doorway

James McBey (d. 1959)

1930 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.