
Marble votive relief of a horseman
Unrecorded maker
4th–3rd century BCE · Marble
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
410 ms. The Metropolitan Museum of Art, Collection API (Open Access)
314 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,757 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Marble votive relief of a horseman
Unrecorded maker
4th–3rd century BCE · Marble
Cleared · Public Domain
live
Black Horseman in Front of a Doorway
Unrecorded maker
c. 1855 · Photograph, salt print from wet collodion negative
Cleared · CC0
live
Leaping Horseman (Marcus Curtius)
Nicolò Boldrini (d. 1566)
ca. 1560–70 · Chiaroscuro woodcut from two blocks in brown
Cleared · Public Domain
live
A horseman, facing front, a group of horsemen in background to the right, from "Various cavalry exercises" (Diverses exercices de cavalerie)
Stefano della Bella (d. 1664)
ca. 1642–45 · Etching
Cleared · Public Domain
live
Doorway from Chalkley Hall, Frankford, Pennsylvania
Unrecorded maker
ca. 1776 · Granite, wood, and iron
Cleared · Public Domain
live
Design for a Doorway with a Portico in the Classical Style
Anonymous, British, 18th century (d. 1800)
18th century · Pen and black ink, brush and gray, brown and green wash or watercolor
Cleared · Public Domain
live
The Doorway
James McNeill Whistler (d. 1903)
1879–80 · Etching, drypoint and roulette, printed in brownish-black ink on ivory laid paper; fourteenth state of twenty (Glasgow)
Cleared · Public Domain
live
Woman Standing in a Doorway
Constantin Guys (d. 1892)
19th century · Pen and brown ink, brown and black wash, over traces of graphite
Cleared · Public Domain
live
Box with Portuguese Horseman
Ìgbèsànmwà (ivory- and wood- carving guild) artists
19th century · Ivory
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A horseman, flanked by winged female centaurs
Etienne Delaune (d. 1583)
before 1573 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Front Plate of a Gorget (Neck Defense)
Unrecorded maker
ca. 1620–30 · Steel, silver, gold
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Doorway
James McBey (d. 1959)
1930 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.