
Studies of a Seated Youth in Armor
Vittore Carpaccio (d. 1526)
ca. 1505 · Black chalk, point of brush and gray wash, highlighted with white gouache, on blue paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
796 ms. The Metropolitan Museum of Art, Collection API (Open Access)
388 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 8,676 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Studies of a Seated Youth in Armor
Vittore Carpaccio (d. 1526)
ca. 1505 · Black chalk, point of brush and gray wash, highlighted with white gouache, on blue paper
Cleared · Public Domain
live
Morning Glory with Black
Georgia O'Keeffe (d. 1986)
1926 · Painting, oil on canvas
Cleared · CC0
live
The Muse Erato Writing Verses Inspired by Love
Charles Meynier (d. 1832)
ca. 1797 · Pen and black ink, brush and gray wash, heightened with white gouache, over black chalk on brown paper; squared in black chalk
Cleared · Public Domain
live
White Flower
Georgia O'Keeffe (d. 1986)
1929 · Painting, oil on canvas
Cleared · CC0
live
A Tomb and Studies of Windows in the Church of Valmont Abbey (recto); Four Studies of Horses (verso)
Eugène Delacroix (d. 1863)
1829–31 · Brush, black and brown ink, and wash over graphite (recto); graphite (verso) on wove paper
Cleared · Public Domain
live
Caryatid Mirror
Unrecorded maker
c. 1540–1296 BCE · Cosmetic Objects, bronze with black copper inlay?
Cleared · CC0
live
Entrance to Harbor—Moonlight
David Johnson Kennedy (d. 1898)
1881 · Watercolor, gouache, graphite, pastel, and sgraffito on white wove paper coated with gray gouache
Cleared · Public Domain
live
Lighthouse Village (also known as Cape Elizabeth)
Edward Hopper (d. 1967)
1929 · Drawing, Watercolor with graphite and scraping on paper
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Widow II, from "Kreig" (War)
Käthe Kollwitz (d. 1945)
1922–23 · Woodcut
In copyright
live
Reading
Berthe Morisot (d. 1895)
1873 · Painting, oil on canvas
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Black Reflections
Franz Kline (d. 1962)
1959 · Oil and pasted paper on paper, mounted on hardboard
In copyright
live
Suzani with floral sprays
Unrecorded maker
1800–1850 · Embroidery, Cotton: plain weave, 6 strips; silk: embroidery; filling stitch: kanda xajol, occasionally bosma; outlining stitch: ilmoq
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.