Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    468 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    447 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,093 matching records exist across the two collections.

Results for "Blonde Woman Wearing a Black Cap with La"12 records

Institutions answered newest-first by record, interleaved

Terracotta fragment of a neck-amphora (jar) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a neck-amphora (jar)

Unrecorded maker

last quarter of the 6th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Studies of a Woman Wearing a Cap by Antoine Watteau, The Metropolitan Museum of Art

Studies of a Woman Wearing a Cap

Antoine Watteau (d. 1721)

ca. 1717–18 · Black and red chalk, heightened with a little white.

Cleared · Public Domain

live
The MetSimilar
Half-length portrait study of a woman wearing a cap and pearl earrings by Joseph van Aken, The Metropolitan Museum of Art

Half-length portrait study of a woman wearing a cap and pearl earrings

Joseph van Aken (d. 1749)

ca. 1740–60 · Black and white chalk, brown ink and graphite on blue laid paper, squared in graphite

Cleared · Public Domain

live
The MetSimilar
La Rétameuse by James McNeill Whistler, The Metropolitan Museum of Art

La Rétameuse

James McNeill Whistler (d. 1903)

1858 · Etching, printed in black ink on gray chine on off-white wove paper (chine collé); second state of two (Glasgow)

Cleared · Public Domain

live
The MetSimilar
La Rétameuse by James McNeill Whistler, The Metropolitan Museum of Art

La Rétameuse

James McNeill Whistler (d. 1903)

1858 · Etching, printed in black ink on buff (darkened) chine on off-white wove (chine collé); second state of two (Glasgow)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Religious Woman of Antwerp (Mulier Religiosa Antuerpiensis)

Wenceslaus Hollar (d. 1677)

1643 · Etching; first state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Parure des Dames, Plate 6

Mondhare et Jean

ca. 1776 · Hand colored engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Blonde Woman Wearing a Black Cap with Lavendar and Blue Flowers and a Black Feathered Collar, from the Gems of Beauty series (N111) to promote Honest Long Cut Tobacco manufactured by W. Duke Sons & Co.

W. Duke, Sons & Co. (d. 1920)

1890 · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Blonde Woman Wearing Black with Gold Sequins, from the Gems of Beauty series (N111) to promote Honest Long Cut Tobacco manufactured by W. Duke Sons & Co.

W. Duke, Sons & Co. (d. 1920)

1890 · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Blonde Woman with her Hair Down, Wearing a White Cap with a Black Ribbon and a Necklace with a Green Pendant, from the Gems of Beauty series (N111) to promote Honest Long Cut Tobacco manufactured by W. Duke Sons & Co.

W. Duke, Sons & Co. (d. 1920)

1890 · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Robes Modeles Historiques, La Poste

Daydou Fils

19th century · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Robes Modèles Historiques, La Tosca

Daydou Fils

19th century · Lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.