Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1809 ms. The Metropolitan Museum of Art, Collection API (Open Access)
261 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 64 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Border at Bottom Center: Portrait of Gaston of France in an Ornamental Border, from "Siège de La Rochelle" (The Seige of La Rochelle)
Abraham Bosse (d. 1676)
1628–31 · Etching and letterpress; third state of four (Lieure)
Cleared · Public Domain
live
The Proserpine at anchor in Venice
Louis François Cassas (d. 1827)
ca. 1782 · Black chalk; framing lines in red chalk
Cleared · Public Domain
live
Fête pour la Paix Générale donnée à Paris le 18 Brumaire. Pont et Place de la Concorde.
Francesco Piranesi (d. 1810)
1801–2 · Line engraving with watercolor and gouache
Cleared · Public Domain
live
The Bridge at Villeneuve-la-Garenne
Alfred Sisley (d. 1899)
1872 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Neptune House, New Rochelle, West Chester County, New York
Edward Williams Clay (d. 1857)
1842 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Grenouillère
Claude Monet (d. 1926)
1869 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Boats at La Rochelle
Eugène Atget (d. 1927)
ca. 1896 · Matte albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Notre-Dame de la Garde (La Bonne Mère), Marseille
Paul Signac (d. 1935)
1905–6 · Oil on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Rochelle
Paul Signac (d. 1935)
1912 · Brush and China ink and brown wash, graphite, and charcoal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Entrance to the Harbor of La Rochelle
Paul Signac (d. 1935)
ca. 1920–28 · Graphite and watercolor on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Rochelle
Paul Signac (d. 1935)
ca. 1920–28 · Black crayon and watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Habit à la disposition
Sarah Lipska (d. 1973)
1920–29 · silk, metal, cotton
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.